The Story of a Song – Learning to “Unleash Our Goodbyes”

To tell this story I must first connect you with a blog post from 2011. Read this first…

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My oldest son, Calum, and his songwriting partner, Eli, recently wrote a love song entitled The Highs of Hellos. It is a love song of sheer genius on more than one level (but, of course, as a shameless stage Dad, what would you expect me to say?). The opening lyrics paint a black-and-white Casablanca type scenario of longing for love but also of its elusive quality:

“She says hello, monotone,

staring over the glass of a cocktail an hour old.

She says there’s no need to explain,

But then a restroom break turned into a departing plane.

And that bar piano man, he started playing…”

My point is not to depress everyone with sad love songs. What I will say is that, when facing the unspeakable ache of leaving with beloved faces in the rear-view mirror, songs with uncertain endings often make for good travel companions. Elton John once wrote that sad songs say so much. For one who is sad, a truer statement cannot be found. But sadness isn’t always what songs and poetry say it is. There is a good, almost welcome sadness in the wake of friendships, forever sealed but never forgotten, that must endure parting.

Sadness gets a bad wrap in a culture hooked on the elusion of a happiness bought and sold. It has come under hard times since our hope for anything but pushes us to cloak it with…well, anything we can find. It is seen as the hooded marauder, seeking whom it may destroy rather than a potential friend if we could just sit with it long enough to say hello and get acquainted. The sadness of which I speak isn’t the dire hopelessness of unrequited love. Instead it is the bittersweet angst of a love, of necessity, left behind – at least physically.

The last time I wrote of this was upon my return from this year’s grad school January Residency. At that time I admitted to a certain lost-ness birthed of the realization that it was the last of three such residencies and potentially the penultimate meeting of our beloved “Conspirators.” This weekend marked the end of a three-year foray into the wilderness, both mysterious and hopeful, of a Master of Arts degree in Spiritual Formation and Leadership, now complete. As I’ve shared previously, these 18 other dear souls know far more about me than is either comfortable or reasonable given the rather edgy and dangerous personal territory into which we have frequently traveled.

This is the result of all our seeking. It is both reason and end of our doctrine. It is the direction our lives must take if the painstaking journey of vulnerability wed to authentic community life is to yield her ripest fruit of hope. Recognizing that most of the people I know and work with have perhaps never experienced community and awareness of the mutuality of love as I have enjoyed these brief three years creates a fire within me to be a catalyst for it in the community to which I now return.

That and that alone is what turns the “highs of hellos” into the possibilities of learning to unleash goodbyes…

“Where did you go, my darling?

Where did you go, my old friend?

What she did not know,

Is that shot boy with his hands in his pockets,

You were all he ever wanted – somebody to hold,

Life’s just a series of goodbyes with the highs of hellos.”

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Now, in 2026, these words hold as true as ever. We are not islands. We are an archipelago, a unity of each other’s lives; of our stories and shared experiences, of our failures and victories, hard fought and won. In the connective tissue of mystical faith we are never really apart. Instead, we learn quite simply to Unleash Our Goodbyes.

"Conspirators." Our master's graduating class for whom the song was written.
“Conspirators.” Our master’s graduating class for and about whom the song was originally written.

The Gospel of the Wild Messiah

The Story of a Song

I’m a musician.

More specifically, a songwriter, a composer of three to five-ish minute stories, sung exposés of heart and soul, guts and grime, faces and places. Sometimes they squeeze out of me like toothpaste from the tube, globular and grotesque until they shape up, shine up, or ship out. Sometimes they feel like a Rubik’s cube – confused and mystifying until the right colours align and the palette finds its rightful place. Sometimes they are a town made of Legos, uninhabitable ghettos, angular, sharp, hard on the feet, until the final block snaps into place and home comes into view.

In rare moments, they arrive complete. Finished. No edits required. A gift that asks only to be notated, promptly sung, and properly introduced to whomever might be interested.

2015. It came to me while sitting in my reading room at our home in Yakima, Washington. What follows is the story of its (and my own) emergence.

A church music director for most of my adult life, it had been my remit to satisfy front-of-house needs for artistic class, professionalism, cultural relevance (whatever that means), beauty, and involvement in the particular church of my employ. Choral directing, training, and performance; listening endlessly to frequently banal worship songs, pursuing the best ones for consumption; composing and/or arranging new songs; identifying, training, and releasing new musicians; seasonal concerts and performances; hobnobbing with the muck-a-mucks to ensure funding and support to our program; fielding “concerned” emails about my approach, methodology, song choices, or choice of hairstyle (no, really).

I genuinely loved it. I think I’ve been good at it but won’t ask too many questions, just in case…

But, any job, even one as fulfilling as this, can become stretched, insufficiently gratifying to ensure warmth on those cold days of uncertainty and desire for something new. The best tricks up one’s sleeve become well known, even expected, to onlookers. Tricks of the trade, inside jokes, clever banter (at least I thought so) – where once they generated wonder and amazement, now, at best, they go all but unnoticed and, at worst, prompt eye-rolls, chuckles, even groans generally reserved for Dad-jokes.

A second presenting concern was the resignation of the senior pastor with whom I’d enjoyed years of heady and inspiring co-leadership. Duncan, a young and vibrant Princeton graduate with off-the-charts charisma, energy, creativity, competence, and ideas had joined our staff. I was smitten by his indefatigable creativity, compassionately confident, and compelling leadership. It was, in a word, a bromance.

Duncan and I in 2011

He had hit a wall personally and professionally and felt the need not just to resign from guiding our church, but from ministry altogether (he is now a happy and successful fire fighter). The news hit me like a train. I believed us to be the Simon and Garfunkel, Lennon and McCartney, Plant and Page of our church. By his own admission, he felt similarly. All that, however, was to be no more. I was lost and shouldered it like Apollo’s world-bearing curse. Could I continue doing all this but in brand new ways? Should I do these things but in a new location? Would I find satisfaction doing something else entirely? None of the above? All of the above?

For many, these questions are professional ones, career-defining questions designed to clarify and shape one’s evolving professional life. For me, they were existential and required a deeper dive towards any kind of answer. Let’s try anyway, shall we?

Those like me, perpetually wandering melancholics, happiest when a bit sad can feel a little lost as this begins to melt away in the face of…peace. Shalom. How can it be that someone whose cottage industry had been disenchantment and ennui suddenly finds contentment?

After a sabbatical in 2016 to the UK, it was clear that this was where we were truly meant to be. There began a long process of discernment through which we embarked upon a new journey: a move from Yakima, Washington to Edinburgh, Scotland.

“You Want to Fly Again” was my heart’s cry for what we’re currently experiencing. The song had been covertly prophetic of what was yet to come. I was unaware that I’d written a song intended for everyone but which held within it the seeds of an unfolding reality. And that reality is good. Very good.

I encourage anyone who happens upon these words to do so with faith in the God who still works in mysterious and miraculous ways. If this can become our journey, I am bold to say it can be so for you as well.

May it be so.

The Creative Recovery Initiative, episode 11

“The Difference a Year Makes, part 2: So, what now?”

Liam Jerrold Fraser and the Future of “The Kirk”

Rev. Dr. Liam Jerrold Fraser wrote the book which became my first read upon landing in Edinburgh four years ago to begin our work here. It is entitled, “Mission in Contemporary Scotland.” In depth, concise, well-argued and articulated, and compassionate, this book offered me a foot-in-the-door understanding of what would be our socio-political, religious context in which we would be serving. Since reading this book I’ve become rather a “fan” of this gentleman. His blog continues to provide rich, varied, and challenging conversations around the ecclesiastical quagmire that is currently “the Kirk”, or the Church of Scotland.

I share here the latest piece from that blog which peers into the question haunting most faith collectives: “who are we?” and “why are we here?” Questions I dare say are ones everyone should be asking. Read, comment, agree or disagree at your whim. Follow Liam everywhere. I think you’ll come to value as much as I what he has to say on these important matters.

Grace and peace…R

Notable Quotables – Charlie Chaplin

Recognizing of course that Chaplin was no saint, having numerous glaring character defects, his words ring true nonetheless.

Notable Quotables – Will Rogers

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For a smile and a laugh today, I give you the faux Leo…

Notable Quotables – St. Francis of Assisi

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Because everyone needs a giggle now and then…