The Story of a Song – “Newcastle”

Dad. All three of us kids had this picture after his death.

Father-son relationships are complex. A glorious thing, but often fraught with chaos, a touch of fear, and much misunderstanding. My own father was a quiet, unassuming man. He was kind and a wonderful provider. I wanted for nothing. Ever. But we struggled to really understand one another. He hailed from a large farm family from Maple Creek, Saskatchewan. His education, incomplete. His struggle, real. When I was an often fear-filled youngster, he always seemed a bit sad to me. I never knew how best to connect with him on a personal level. No one’s fault, just the way it was.

1985. I went with him to the hospital to retrieve results from recent tests. The blank expression on his face as he emerged with the unwelcome news is forever emblazoned in my memory. His words portrayed both fear and denial: “Well, it looks like I’ve got a touch of the cancer.” Those words made our blood run cold. 1985 would be marked by many doctors’ visits, tests, treatments at Calgary’s Tom Baker Cancer Center, and ultimately, his death on September 15th of that same year.

His passing hit me on numerous levels. The normal experience of devastating loss was mine as it was everyone’s. However, I was impacted by something more sinister: regret. At 22 years of age, it occurred to me how little I ever told him what he meant to me—his constancy and dependability, his care and generosity. Because the relationship hadn’t been “easy” in my estimation, I had allowed my father to disappear from my life having never told him the important stuff, the awkward but necessary stuff. Now, he was gone. That regret has followed me every day of my 63 years.

Concurrent with my dad’s passing, I had met Rae, the girl who captivated me and would eventually become my wife. Her own mother succumbed to cancer the following year, August 16th, 1986. Rae and I bonded over the pain of loss. We married in May of 1988. A few weeks later, I was apprenticing with her father, Jim Kenny, as a painter-decorator. He was a “Geordie,” born and raised in hardscrabble, mid-century Newcastle, England.

Jim Kenny, Pop as I called him, was a force of nature (shown here as a young man in Newcastle). His short stature was dwarfed by his immense courage, energy, mental acuity, humour, and magnanimity. He was a poorly educated, but street-smart guy—an inventor and entrepreneur of the first order. From all of that, I benefited profoundly. He looked past my flighty eccentricity and windswept philosopher-poet weirdness and trusted me enough to work alongside him, learning the painting trade.

He opened his profession and himself to me, usually over jugs of draft beer at the Royal Canadian Legion after a hard day’s work. It was the relationship I didn’t have with my own father. Again, not his fault, but mine. I loved this emerging partnership—dare I say, friendship. It roused in me a commitment: never again would I allow special souls who impact me to go from this world without sharing with them “the stuff,” the things that matter most.

Mere weeks before the world-altering events of 9/11, my family moved from Kelowna, British Columbia, to McMinnville, Oregon. The debris and fallout from crashing buildings ranged all the way to our own situation, in which we were now confronted by many added layers of security and scrutiny in our pursuit of permanent residency in the US. Added to this unfolding gloom were two more life-altering events: our stepbrother, Bryce, had broken his neck in a freak accident, rendering him a quadriplegic, and, secondly, Pop was diagnosed with colon cancer again. We risked defaulting on our permanent residency were we to leave the country to tend to these disasters. We were, in a word, stuck.

I drank myself half to death in those days and have written of that elsewhere. However, I first got sober in McMinnville, Oregon in 2002. The following year, I was inspired to write a song that acted as a story and (unknown to me at the time) memorial in one—something to celebrate the great man I had grown to love and admire. A man born in Newcastle who, refusing to accept the poverty he had endured as a boy, emigrated to Calgary in 1968. I finished the entire song in less than an hour.

On a visit to us with his wife, Judy, I sat them down on the sofa, took my guitar, and gulped down my pride. I looked him square in the eye and sang “Newcastle”. In so doing, I remained faithful to my personal commitment never again to let loved ones pass me by without telling them “the stuff.” Newcastle, for Jim Kenny, is that stuff.

Listen here and remember: tell those dear ones in your life how you feel before the opportunity passes you by and you’re forced to suffer the regret I have for decades.

Say all “the stuff.”

Pop and Nina who would become his wife and mother to my own wife, Rae. Sadly, Nina would succumb to cancer herself in August, 1986.

Pop and Rae. A favourite picture of mine, for obvious reasons.

Pop, 2 years before his passing, with his 2 best pals.

Episode 1 – Beginnings

“Hi, I’m Rob, and I’m an alcoholic.” I say these words regularly. At this point they’re practically a mantra. Starting with this post, I will be sharing every episode of my new podcast venture: The Creative Recovery Initiative.

And so, it begins…

Yesterday, I was clever…

The Story of a Song

I’m a musician.

More specifically, a songwriter, a composer of three to five-ish minute stories, sung exposés of heart and soul, guts and grime, faces and places. Sometimes they squeeze out of me like toothpaste from the tube, globular and grotesque until they shape up, shine up, or ship out. Sometimes they feel like a Rubik’s cube – confused and mystifying until the right colours align and the palette finds its rightful place. Sometimes they are a town made of Legos, uninhabitable ghettos, angular, sharp, hard on the feet, until the final block snaps into place and home comes into view.

In rare moments, they arrive complete. Finished. No edits required. A gift that asks only to be notated, promptly sung, and properly introduced to whomever might be interested.

2015. It came to me while sitting in my reading room at our home in Yakima, Washington. What follows is the story of its (and my own) emergence.

A church music director for most of my adult life, it had been my remit to satisfy front-of-house needs for artistic class, professionalism, cultural relevance (whatever that means), beauty, and involvement in the particular church of my employ. Choral directing, training, and performance; listening endlessly to frequently banal worship songs, pursuing the best ones for consumption; composing and/or arranging new songs; identifying, training, and releasing new musicians; seasonal concerts and performances; hobnobbing with the muck-a-mucks to ensure funding and support to our program; fielding “concerned” emails about my approach, methodology, song choices, or choice of hairstyle (no, really).

I genuinely loved it. I think I’ve been good at it but won’t ask too many questions, just in case…

But, any job, even one as fulfilling as this, can become stretched, insufficiently gratifying to ensure warmth on those cold days of uncertainty and desire for something new. The best tricks up one’s sleeve become well known, even expected, to onlookers. Tricks of the trade, inside jokes, clever banter (at least I thought so) – where once they generated wonder and amazement, now, at best, they go all but unnoticed and, at worst, prompt eye-rolls, chuckles, even groans generally reserved for Dad-jokes.

A second presenting concern was the resignation of the senior pastor with whom I’d enjoyed years of heady and inspiring co-leadership. Duncan, a young and vibrant Princeton graduate with off-the-charts charisma, energy, creativity, competence, and ideas had joined our staff. I was smitten by his indefatigable creativity, compassionately confident, and compelling leadership. It was, in a word, a bromance.

Duncan and I in 2011

He had hit a wall personally and professionally and felt the need not just to resign from guiding our church, but from ministry altogether (he is now a happy and successful fire fighter). The news hit me like a train. I believed us to be the Simon and Garfunkel, Lennon and McCartney, Plant and Page of our church. By his own admission, he felt similarly. All that, however, was to be no more. I was lost and shouldered it like Apollo’s world-bearing curse. Could I continue doing all this but in brand new ways? Should I do these things but in a new location? Would I find satisfaction doing something else entirely? None of the above? All of the above?

For many, these questions are professional ones, career-defining questions designed to clarify and shape one’s evolving professional life. For me, they were existential and required a deeper dive towards any kind of answer. Let’s try anyway, shall we?

Those like me, perpetually wandering melancholics, happiest when a bit sad can feel a little lost as this begins to melt away in the face of…peace. Shalom. How can it be that someone whose cottage industry had been disenchantment and ennui suddenly finds contentment?

After a sabbatical in 2016 to the UK, it was clear that this was where we were truly meant to be. There began a long process of discernment through which we embarked upon a new journey: a move from Yakima, Washington to Edinburgh, Scotland.

“You Want to Fly Again” was my heart’s cry for what we’re currently experiencing. The song had been covertly prophetic of what was yet to come. I was unaware that I’d written a song intended for everyone but which held within it the seeds of an unfolding reality. And that reality is good. Very good.

I encourage anyone who happens upon these words to do so with faith in the God who still works in mysterious and miraculous ways. If this can become our journey, I am bold to say it can be so for you as well.

May it be so.

The Creative Recovery Initiative, episode 11

“The Difference a Year Makes, part 2: So, what now?”

The Promise

Gratitude

Hogmanay Hopefulness

It’s the last day of the year. ‘Finally’, say some. ‘Big deal’, say others. We seem to really love these arbitrary chronologies; new leaf-page turns, as it were. Any opportunity, either actual or manufactured by which to measure ourselves against the cosmic yardstick of success. “Let’s see how we did,” we tell ourselves, “with the three hundred and sixty five chances we were just given.”

Were we good enough? Did our decisions prove correct enough, or at least useful enough? Are we “better off” now than we were when last we stood at this threshold? Aren’t these the same questions we asked this time last year.

Well, s**t.

Whatever one believes about New Year celebrations and the random significance we may or may not foist upon them, allow me to share a few clear reliables.

  1. However one may feel about one’s place in the world comparative to last year, our belovedness remains unchanged. God, apparently (and sometimes, on our off days, with little reason), is rather fond of us. Each one is deeply loved and cherished. As much now as last year. Have hope.
  2. Whatever chaos, cares, or calamities we faced in 2024, with the coming year there are still the kernels of hope planted deep in the soil of grace. God’s abiding presence with all of us does not change on the altar of a Roman calendar. It is always total, unchanging, and calendarless. Have hope.
  3. Whatever plans we made, course we charted, intentions we implemented (or not) that came to naught, our worth is determined by things much less measurable than platitudes, promises, plans, or productivity. We are forever children of God, loved unreasonably well and with unseasonable consistency. Have hope.
  4. Similarly, as one well-versed in shoulding all over myself on a pile of ripe could-would, whatever resolutions I make for the coming year may, no, will reflect the light of Christ in me, not some perceived darkness into which I may trudge, knowingly or unknowingly, willingly or not. We are all so much more than resolutions made or broken, promises made and kept (or not), hopes realized or dashed. Have hope.

So then, having just finished my final cappuccino of 2024, I sit before my journal not with the pen of guilt, embarrassment, or self-abasement but with joy, gratitude, and expectation happily swimming in the blessing and presence of God. That is the spirit in which I choose to bid adieu to this year.

I crane my neck and shove my not-so-inconspicuous nose forward into whatever 2025 smells like. And, whatever it is I smell is not for me to say. Instead, it is for me – for us, simply to breathe in, greeting it all with gratitude and a whispered prayer for those who will never have opportunity to do the same.

Here’s to Hogmanay hopefulness and a happy, and honest, 2025.

A protrusion of gratitude

My simple, but genuine gratitude for our life here in Edinburgh…

A protrusion of gratitude

Cloaked in landscapes of light, remunerations

of remembrance brought clear in the rehearsing.

That literature of land partnered with time

makes for fragrant mornings in settings

of coal-kissed stone, unsullied

by lesser things.

No more exile here –

just a protrusion of gratitude.

Elephants & Skeletons

The Creative Recovery Initiative is a labour of love I’ve developed over the past couple years living with my wife in Edinburgh, Scotland as global personnel with Serve Globally, our denomination‘s mission wing. I don’t pretend to be a professional vlogger, influencer, or documentarian. I don’t even own fancy equipment. What I have however is an iPhone, a story, a Saviour, and a desire to tell that story to as many who might benefit from hearing it.

Perhaps you’ll find yourself here in some way? Perhaps someone you know might find hope from the stories I tell here? Either way, I invite you into this space to join me in the telling. In so doing, we’ll find healing and build community, together.

Peace to you all…R

“Elephants & Skeletons”