Saying farewell to a friend

This morning, we said farewell to a friend.

Jonathan (Tadhg) Gardiner

At 10:00am this morning, with aching throats, wet cheeks, and swollen eyes, we watched the livestream of his memorial service, held at Woking Crematorium in London. Tadhg, or “tiger without the er” as he would introduce himself, was laid to rest.

And, in those brief moments, our hearts shattered in pieces.

There are a handful of people for whom I could ascribe the following, “if I could be half the person…” Tadhg was one of those. Genuine, gentle-spirited, fun-loving, unassuming, unpretentious, kind-hearted, generous, and hospitable. There are many who are good to know. He was the one you needed to know, if only for a season. I can say honestly, and without embarrassment, that, to meet Tadhg was to meet Jesus. His life exuded grace and the easy friendship one might expect from the Friend of outcasts and sinners.

His Facebook page states his passion for walking alongside others in holy fellowship:

I am an Anamcara [gaelic for ‘soul friend’]. I consider myself to be a sociable guy, a latter-day celt, a professional and spiritual guy, who would dearly like to hear from you…I am also an independent (non-judgemental, inclusive) priest…and a ceremonialist.

We shared many similar passions including Celtic spirituality, Christian mysticism, theological conversation, a love for probing and formative liturgy, connections between Western and Eastern thought, and making sense of a world in love with itself. We wrote for each other’s blogs and spoke often (usually FB Messenger or email) about things that mattered to us. His perspective was rich, original, and refreshing. He was remarkably free of judgement or hatred of any kind toward anyone. Ever.

In the months before the summer of 2016 I was suffering from a profound emotional deprivation and spiritual ennui. My wife and I decided to take a sabbatical of sorts to the UK. The church for which I worked as Music and Worship Director kindly agreed to a five-week extended “Trip to Bountiful” as I called it.

We had the time but our budget was tight. Tadhg offered, eagerly and warmly, a stay at his tiny but comfortable flat in Fulham. Moreover, he’d be there to pick us up from the airport, having never actually met either of us in person!

2016. Rae, myself, and our gracious host, Tadhg

Without expectation or guilt he allowed us to use “Hotel Tadhg” as our base of operations while we coddiwompled our way throughout Britain. He dealt with our embarrassingly North American-sized entitlements, returning them all with his beaming smile and dry humour. That journey so changed our lives that we now live in Edinburgh as global servants with our denomination’s mission wing.

God used Tadhg as a big piece of that cosmic puzzle.

When we returned to Britain in 2019 as part of our first encounter with the team of whom we are now a part, where did we stay in London? At Tadhg’s place, of course. For him, there was no question. He had stocked his fridge with all the various food and drink items he knew we liked from the last time we were there. Tadhg was the walking definition of holy hospitality.

2019

In recent years, as Tadhg’s condition worsened, then stabilized, then ultimately took him from us, I felt a growing sense of panic. There were too many things left unsaid to my dear friend, too many conversations unopened, too many laughs unshared, so much more to learn from each other. To hear of his passing was to have one’s soul summarily torn from the body. A world full of ungrateful, spiteful, and unkind people and this is the one to be taken. God, I mean, really?

But, alas, such is the inexplicable nature of our existence. Tadhg, of all people, would chastise those like me who feel tempted to wallow in our pain. He would be the first to lift up our heads, and encourage us to look up to the running clouds, whose playful whimsy is ample reminder of God’s care over all created things.

Dear friend, I shall miss you. The world shall miss you, even if they don’t realize it. Perhaps you can put in a good word that God can help me to be more like you.

If only just a little.

Christmas in Edinburgh

Looking out from the Christmas Festival on Prince’s Street

The air feels sharp. Like a paper cut on dry skin. The same air that is moderated by the sea is also saturated with it so that the wind denies however many layers one can throw at its defence.

It’s a good thing this city is so photogenic. She blushes with feigned humility at every turn, dipping her shirt to reveal her grey-stone breasts just enough to draw you to her. But, as you draw near, her manner reminds you that you’re a mere stone’s throw from the North Sea.

In early Winter.

As seen from our window, snow comes wistfully to Comely Bank.

Anyone who follows us on social media, or has been within camera or earshot of us in the past few weeks, is already aware that my wife and I live now in Edinburgh, Scotland. We haven’t stopped talking about it. You ever hang around new parents and they never quit talking about their newborn? Yeah, it’s kinda like that.

Everything is new. We have new UK phone numbers almost impossible to memorize (memorise). We are learning to write dates day/month/year. We’ve traded a five-number zip code for a postal code with two caps, a number, another number, and two more caps. We’re learning what it’s like to shop for days of food at a time rather than weeks. We’re learning the complexities of laundry in the UK, a process not unlike rebuilding a laptop.

Thanks to the relative compactness of Edinburgh streets, we’ve taken like pros to something we would never have done in North America, ride a bus. We walk everywhere else. Living in the relatively central district of Stockbridge I call this the “one-mile zone.” We can walk almost anywhere we need to be, including downtown (uptown as the locals call it).

The glaring lack of any formal Thanksgiving tradition here is regrettable in one way, given the many memorable observances we’ve enjoyed over the years with family, friends, and one unlucky turkey. But, it is also a wonderful thing not having to engage in the inevitable, often heated, debates about Christmas decorating starting “too early.” Despite its lack of liturgical credibility, “too early” for me would be mid-October, not American Thanksgiving which just happens to fall less than a month from Christmas.

Edinburgh loves her Christmas decorating. She does it well, with a voracious thoroughness that causes Mrs. Claus to blanche at the sight. Is it thoroughly secular? Yeah, pretty much. Is it beautiful and welcoming? Absolutely. Which, as you will recall from my earlier post on the Enneagram 4, is my love language.

Beauty is next to godliness.

Blue Christmas
The Walter Scott Memorial
Merry-go-Round
Big wheel keep on turnin’
Edinburgh has lighting down to an art.
More Edinburgh lights
The door’s the thing.

I’ve often questioned artists who claim their particular geography to have the “best light” when they live where there’s nothing but an abundance of it, washing out all colour and nuance. When light is involved, “most” does not equal “best.” My soul prefers its light at a premium; where it changes much, leaves me alone for long periods of time, and is therefore, precious.

Granton Harbour in morning light, shrewdly shrouded

For me, Edinburgh in winter is that place.

Pathways beckon
St. Bernard’s Well, Leith Parkway

A runner for many years, I confess that the best pathways for moving contemplation are these damp corridors of green-framed stone and shadow. It is something about subtleties where colours can pop because they’re not constantly blanched by direct sunlight. There’s an existential complexity to it utterly lacking in sun-drenched regions.

I have the opposite of seasonal affective disorder (S.A.D.) I’m depressed in constant sun. Nothing changes. It’s like trying to drink from a fire hydrant…all the time. It’s too much, too often, for no reason.

The breadth of human experience requires more than the cheap seats at a bad movie. It needs emotional distance, space to laugh and hurt and question and doubt and start all over again. The heart needs lament; needs thoughtfulness, discernment, the tepid wondering for which it is engineered. I agree with Pàdraig Ó Tuama’s review of Dunez Smith’s amazing poem, “I’m going back to Minnesota where sadness makes sense.” where he states, “not everyone needs to live in perpetual summer.”

Yes. That.

Gravestones at St. Cuthbert’s Kirk
St. Cuthbert’s

2021. This will be our first Christmas away from our boys. Either one or the other, or both, were always with us for the holidays. However, given the weight of God’s call upon us to love and serve Edinburgh, it seems not so high a price to pay, given the great returns we’ve already enjoyed from this incredible place. Besides, our laddies are squarely in God’s hands every bit as much as we, or anyone else.

So then, this year…it is Christmas in Edinburgh.

Thanks, Bruce…

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“All through my life I have embraced and questioned the night, and loved its random light: the aurora borealis, the starry reaches of the cosmos, streetlight ricochet off car metal and darkened windowpanes…the light of friends and lovers.
 
We are on a great journey, through darkness and dawn, across time, though sometimes I fear that our journey is about to end. We must not succumb to fear or avarice; we must continue to embrace life, seek light, and gather in the charity of night. This is what God wants from us and for us. Mirrors of the past shine with the hue of unborn days, just as stars glitter in the dark night to light our way.”
 

I love metaphor. I appreciate the multitudinous ways it invites us to consider really big stuff. Night and day, dark and light, doorways and highways – all of it in pursuit of understanding that which can be never be fully understood. 

Longing, as I’ve written many other places, is a condition most endemic of the hungry human spirit. If we are anything as humans, we are spiritually starving. Like the blessing of pain to a body out of joint is that of longing to the soul under duress, or even just at rest. We long not because we’re broken necessarily, but because we want either to be unbroken, or, in my case, to experience the proximity of God as God when last I WAS broken.

However, there’s a danger implicit in longing for its own sake. It can easily become an obsession, a drug without which we feel we can never really be whole. For too many years, in the name of contemplation, I lived in what could only be described as wallowing. It was often a cottage industry of self-pity in the guise of discerning depth; “look at me suffer and enjoying it” rather than the healthier pursuit of gratitude-in-darkness while praying for light. Persona incognito.

I’ve learned since then to notice the subtle differences which exist between genuine longing and a self-imposed spiritual subterraneanism posing as such. Nowadays, whenever longing arises within me, a few questions arise with it. First, where is this coming from? Why is it there and what is it telling me? Is this genuine heartsickness or just indigestion?  Does my spirit need something or am I falling into addictive thinking once again? 

As beautiful, daring, mystifying, and thirsty as the human soul can be, it is also fickle and will play tricks on us. What presents as darkness might just be ennui, the listlessness which is part of being human. What presents as sadness might better be described as an insufficient attention to the light of Christ always burning in our deepest places.

The Bible and, by extension, the great tradition of Christian spirituality have aligned the parallel barrels of mystery and metaphor as their formational crosshairs. The immense enterprise of God’s program of cosmic reclamation remains unsuited to the quaint and glib prognostications of “systematic theology”, or as I like to see it, the detached mechanics of straining eternity through an eye-dropper. Protestantism in general, evangelicalism in particular, are guilty of this diminution.

All of the above has been the experience of my hero, Bruce Cockburn. I recently finished his memoir. A favourite person. My favourite genre. The chance to devour, even absorb, the fascinating lives of fascinating people. My life grows from the experience, every time. What’s not to love? Ah, but this is not just any memoir. 

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It is impossible to understate the impact Cockburn has had on me. My music. My approach to the guitar. My songwriting. My ongoing love for literature and words. Especially, my spirituality, infused with longing as it has been. Even my personality exudes a certain whiff of Cockburnesque mystique, much of it intentional.

He doesn’t know it (yet), but I credit him in large measure for my career in music, songwriting, and for my journey of faith. While he was still pursuing something beyond the pale for himself, he speaks of “the speech of stones.” It was probingly pagan but sufficiently poetic to peak my interest. There was something out there worthy of seeking.

Bruce (may I call you that?), if it’s good enough for you, it’s good enough for me.

It still is.

Enneagram 4 – Perfecting Ennui

E4s: undisputed masters of stormy mystique (photo credit: Илья Пахомов)

Enneagram 4s.

The world is too beautiful.

The world is too ugly and needs the beauty we bring.

We are the world’s mystics, the existentialists. Poets, philosophers, artists, dreaming wayfarers, ever searching for some far and distant land that lies just beyond our grasp. And, if it’s beyond our grasp, it won’t even be on your radar, I promise.

Our worlds are those most real as ones which dwell in our overwrought imaginations; Paradise projected, longed-for, through-a-glass-darkly. These realms are as equally insistent as they are evasive. They foist themselves upon us when we’re not looking, and hide themselves when we are. They promise an almost constant angst-ridden ennui, what the ancients called “acedia.” We’re the noonday demons of the emotional world; skulking about in the shadows lest we burn out our retinas in a direct gaze upon that which only avails itself as peripheral.

That is why we’re always a little sad, distracted, disabused of whatever is directly in front of us. Obvious is so gauche. When bliss is just beyond the scope of our sensory perception, in shadows of liminality, why waste our precious energy on the muted confines of what everyone else merely sees, hears, feels, touches, smells?

It means that those of us living in this cosmic Purgatory are expert romantics, idealists, mystics, contemplatives, tortured artists; a slow, gothic parade of the perpetually misunderstood and underappreciated. We dish up depths of feeling, life, and experience in our spare time, that which is well beyond the quaintly over-considered crumbs the rest of the world ogles over. That world, chest puffed out in pride, gives us Beyoncé. “Top that, we dare you,” it taunts.

“Ah, how sweet,” we respond, and give them Hildegard von Bingen.

The world hacks up a Danielle Steele or a Nicholas Sparks, confident in their ability to impress with such stellar heavyweights.

We merely yawn and hand them our copies of Tolkien, Thomas Merton, and Flannery O’Connor.

There is rarely much overt satisfaction for the Enneagram 4 whose psycho-social psyches emit requirements which far outstrip the window-steam generally on offer, quickly faded and lost. After all, when one feeds upon manna served up on plates of raw energy, listening to the winds of heaven, carrying celestial songs of joy, through our golden, cherubic locks amid the host of heaven, everything else is just raw sewage by comparison.

4s – the hippy star-children of the Enneagram (photo credit: Anna Shvets)

We are monastics forced to abide a NASCAR life. We must forever shuffle about in a fog of self-satisfied smug. Our long noses are ski-jumps down which we gaze in thinly veiled cynicism and self-righteousness. We’re perfectionists swimming in a fetid stew of cosmic mediocrity. Everything we do is quite simply, better. We shouldn’t have to tell you this.

But, we will. Oh, we will. Often, and in as many ways as it takes you to finally understand our obvious supremacy. You may think you’ve finished with us and have moved on to some other shimmering bouncy bauble thingy which occupies your days.

Alas, no. Nobody says when they’re finished. That gift has been given by the gods to us. Us alone. We, in well-practiced passive-aggression, will give our royal nod when it is appropriate, and safe, for your dismissal. Then, and only then, may you slink away to your My Little Pony world.

As for me, you shall find me when I’m ready (and longing) to be found. Then, as I ugly-cry my way back into your good grace, you can hold me close, assuring me that we can start all over again tomorrow. Thanks for listening (yeah, like I care).

Wait, please don’t go…!

Pursuing beauty, ever-elusive, always-reflected (photo credit: Anna Rye)

Building Our Poem

“…in thy voice I catch

The language of my former heart…”*

“The Bud,” 1987

I love poetry. I love its exactitude, its wide-eyed innocence wed to unflinching honesty. The unforced rhythms of perfection, like Grandma’s gaze over well-worn glasses. It is the art of lovers, the science of thinkers, the wisdom of doers.

Poetry gives up her secrets cautiously, altruistically, slowly. Every word, like every note of a great symphony, is fully intended, placed unequivocally in its place with an eye, and ear, to building something remarkable out of simple things, something well beyond the sum of its parts.

In a thousand ways, we are the amalgam of our carefully written words; each one added to the emerging poem of our lives. In this process, there are no real mistakes. There is only the discernment asked of us in the changing turn of phrase that will ultimately become our voice in the world.

For me, Rosebud was one such word. Perhaps an entire stanza.

Although my active period in Rosebud was limited to a few months in 1987, her existential tattoos continue to reveal themselves in enduring ways. A tiny, easily missed oasis in the Alberta prairie percolated in me an entire life thereafter committed to several things: the transformative realities birthed in the canyons of friendship, great things can come from wee places, the pursuit of art wed to faith, and the kind of community possible only through probing, and honest, creativity. Family, lived best in and through, story. Our stories now connect in ways both obvious and subtle.

Rosebud Opera House, 1987
Rosebud Opera House, 2021

Our digs
The diminutive Akokiniskway

On the About tab from my spiritual life blog reads the following statement of purpose: “my life is dedicated to those places where life, liturgy, theology, and the arts intersect to promote an authentic spirituality – who we are becoming.” These values existed in me long before I ever made it to this place. But they were stoked by shared inspiration, fireside laughter, broken stage lights and fumbled words, splinters and spoilers, relational fugue and fatigue, the prayers and tears of young lives navigating their way to maturity; to wholeness. To become both passionate and com-passionate, all writ large in the art of our story. The Story.

On the Rosebud Fellowship homepage can be found the following statement, one of the six “objects” that articulates its purpose: “To promote the fellowship of people whose lives have been affected by the Christian mission of Rosebud School of the Arts.”

Friends, I am one such person.

My daily Rosebud prayer walk, Canadian style.

In the short time I spent here I found lasting friendships, a deep gratitude for the quality of connections that exist around creativity rooted in spirituality, and a way of living, boldly illustrative of the kind of “Christian mission” to which Rosebud has always been committed, both spoken and unspoken.

However, the vision of this place was never one for kitsch or the quaintly derivative “evangelism through art” which has damaged both evangelism and art in so doing. Sadly, what begins as evangelism can become nothing more than jingoistic cheerleading or public relations. What begins as “art” descends to something diminished and pale, akin to cultural babysitting, the low hanging fruit of the accessible and “relevant” to the demise of beauty, the archetypal perfections to which God, wide-eyed, once whispered, “it is good.” When beauty and story are the goal, both art and God win. For me, this is Rosebud’s greatest victory.

Table minstrels

To witness the leadership, serene but definitive, directive but collegial, of LaVerne Erickson has always been a wonder to me. A man of endless stories (and not a few impressive name-drops), tireless energy, and towering vision inspires me as much now as it did in those pre-Cambrian days of 1987. I’m still shedding the pounds added from Arlene’s unforgivably good cooking. More than a few good words (and some less so!) were knit to my story through the relentless humour of Royal Sproule, the passionate guidance of Doug Levitt, the sanguine wisdom of Lyle Penner, the many towering women of faith and creativity who helped put Rosebud on the map. And, of course, the big-heartedness of Akokniskway herself, calling us all deeper into her welcoming bosom.

My daily outdoor show

I am as Canadian as the day is long, complete with an undying love of trains. I grew up in a blue-collar home, the son of a brewery worker and homemaker. Our 900 square foot bungalow in the quaint but rough-around-the-edges southwest Calgary neighbourhood was poised right next to tracks, now LRT, but once host to regular trains through town. So, when I moved into my room in the Rosebud Hotel, the nightly train arriving just past midnight was like a well-worn pair of jeans. Her whistle neither haunted nor annoyed. It sang to me of prairie goodness, rich in the Canadian story so much my own. Our own.

The poetry of my life is ongoing. Rosebud has faded well into my rearview mirror. But she has never stopped whispering to me of what could be, those places where my past collides with my present to hint at a future.

Rife crazies – Rae, Graeme (25), Calum (30), Me

Now, after decades of Christian ministry, a life dedicated to music, writing, poetry, spiritual formation, and the arts, two boys (both professional musicians), together with my wife Rae (Rosebud incubated our love!), we are planting new words in our emerging poem. This newest word takes us across the Atlantic to begin life and ministry in the UK. We invite as many as we can to join us on this journey. Our poetry improves with every letter added, every nuance of word, phrase, and metaphor.

All of you are all of that.

Rosebud, thank you for being a cradle, an incubator, a muse and sage, a friend. Your poetry is now, and will always be, my own. I take you with me, with us, into a new horizon. Our emerging poem.

Word for word, words for Word.

1987-Rae Kenny and I were married the following year.

Same people, almost 30 years later.
2016, Peterborough Cathedral, England

A poem

When muscle, bone, and sinew can’t find heart

and listening and looking. Then, severed in time

from the wishing well of wonder, we wander

through rushes and slivers of our moments, bent

over mirrored water, haunted.

There is a wrinkle in the hour’d fabric of

our days when tender grows the minstrel’s

song. It rings across golden fields of

shimmering wheat – milled hopes, rolled and real.

Bardic but breathless it sounds, reveling in tremors

of songs still sung to handmade candles.

They shine to our hopes, ablaze with just

a hint of what could be.

There is a certain moment, beholden to itself,

in which ghosts and gazes meet to discuss

their future. Still, birthed

from the ashes of forgottenness

an ember yet lurks, small but waiting, patient –

alert to any movement or sounds of humming.

Catch it if it sings.

©R. A. Rife, 2016

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* Quoted from his famous work, Lines Composed a Few Miles above Tintern Abbey, On Revisiting the Banks of the Wye during a Tour. July 13, 1798 by Wm. Wordsworth

I Will Lift Up Mine Eyes to the Hills…

Art by @kemiroart

A favourite Psalm of mine proclaims the following, “I will lift up mine eyes unto the hills, from whence cometh my help. My help cometh from the Lord, which made heaven and earth.” The simple act of looking to the hills does not, of itself, bring promise. It is an act of desperation, the longing for salvation wrought of shared hopeful faith. In the end, our help doesn’t come from looking to the hills, but from the hand of God whose hills they are.

President Joseph R. Biden, Jr. and Vice President Kamala Harris will have their work cut out for them. We are in times of unprecedented division, delusion, decrepitude, and chaos. But, in all the good and hopeful things coming out of the Inauguration yesterday, none was so moving than this from young poet laureate, Amanda Gorman.

Normally I post poetry on my LitBits site. I felt it required a spiritual center stage. Enjoy, and enter in with all who seek a better future; all who look to the hills and cry for help.

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The Hill We Climb by Amanda Gorman

When day comes, we ask ourselves,

Where can we find light in this never-ending shade?

The loss we carry,

a sea we must wade

We braved the belly of the beast.

We’ve learned that quiet isn’t always peace

And the norms and notions

of what just is

Isn’t always just-ice.

And yet the dawn is ours

before we knew it

Somehow we do it

Somehow we weathered and witnessed

a nation that isn’t broken

but simply unfinished

We the successors of a country and a time

where a skinny black girl

descended from slaves and raised by a single mother

can dream of becoming President

only to find herself reciting for one.

And yes we are far from polished,

far from pristine

But that doesn’t mean that we are

striving to form a union that is perfect.

We are striving to forge our union with purpose

To compose a country committed to all cultures, colours, characters and

conditions of man.

And so we lift our gaze not to what stands between us

but what stands before us

We close the divide because we know to put our future first

We must first put our differences aside

We lay down our arms

So we can reach out our arms

to one another.

We seek harm to none and harmony for all.

Let the globe, if nothing else, say this is true:

That even as we grieved, we grew

That even as we hurt, we hoped

That even as we tired, we tried.

That we’ll forever be tied together, victorious.

Not because we will never again know defeat

But because we will never again sow division.

Scripture tells us to envision

That everyone shall sit under their own vine and fig tree

And no one shall make them afraid.

If we’re to live up to our own time

Then victory won’t lie in the blade

But in all the bridges we’ve made

That is the promise to glade

The hill we climb

If only we dare.

Because being American is more than a pride we inherit

It’s the past we step into

And how we repair it.

We’ve seen a force that would shatter our nation

Rather than share it

Would destroy our country if it meant delaying democracy.

And this effort very nearly succeeded.

But while democracy can be periodically delayed,

it can never be permanently defeated.

In this truth,

in this faith we trust

For while we have our eyes on the future,

history has its eyes on us.

This is the era of just redemption.

We feared at its inception

We did not feel prepared to be the heirs

of such a terrifying hour

but within it we found the power

to author a new chapter.

To offer hope and laughter to ourselves.

So while once we asked,

how could we possibly prevail over catastrophe?

Now we assert

how could catastrophe possibly prevail over us?

We will not march back to what was

but move to what shall be.

A country that is bruised but whole,

benevolent but bold,

fierce and free.

We will not be turned around

or interrupted by intimidation

because we know our inaction and inertia

will be the inheritance of the next generation.

Our blunders become their burdens.

But one thing is certain;

if we merge mercy with might,

and might with right,

then love becomes our legacy

and change our children’s birthright.

So let us leave behind a country

better than the one we were left with.

Every breath from my bronze-pounded chest,

we will raise this wounded world into a wondrous one.

We will rise from the gold-limbed hills of the west,

We will rise from the windswept northeast

where our forefathers first realized revolution.

We will rise from the lake-rimmed cities of the midwestern states,

we will rise from the sunbaked south.

We will rebuild, reconcile and recover

and every known nook of our nation and

every corner called our country,

our people diverse and beautiful will emerge

battered and beautiful.

When day comes we step out of the shade,

aflame and unafraid,

The new dawn blooms as we free it.

For there is always light,

if only we’re brave enough to see it.

If only we’re brave enough to be it.

Corona Daze: Sanctuary

In times of darkness and light, chaos and calm, we look to our artists to be our comforters, our prophets; those who bring light into dark places. They remind us of our shared humanity. They point us inward where we find the Christ within. They point our heads upward away from our pain. They point us outward away from our self-absorption and into the great, wide world whose pain is greater still. 

Carrie Newcomer is one such artist. As we look at each other both askance and with a curious mixture of suspicion and longing, may this song and the spirit which inspires it, become the growing embers of hope. More than anything else, may we be to each other, a refuge. In this storm, and any other.

I want to go home

I’ve been reading a wonderful book, “The City Is My Monastery: A Contemporary Rule of Life” by Richard Carter. My wife bought it for me when we last visited St. Martin in the Fields in London last year. It outlines the Nazareth Community established by Richard Curtis, a place where all may come, whether rich or poor, whatever their background, to participate in the common life of Jesus. Curtis, on staff at St. Martin’s and a former monk, reveals his personal journey of discovering community, contemplation, and peace in the heart of London.

What follows is just one of many gorgeous prayer poems found in its pages. A highly recommended read.

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Gorgeous photo thanks to Mr. Roan Lavery