This blog has been kind of a one-stop shop for all things spiritual; the stuff life throws my way and what, by God’s grace, I get to hurl back. Much of that is intimately tied to my Celtic DNA. A Canadian by birth, an American by address, a Scot by history, bloodline, and luck – I gain much from this tossed salad of personal ingredients.
Perhaps none more so however than the joy and pride I take in being a Highland Bagpiper.
Now, I recognize that many out there might consider it an oddity for such a thing to be a point of pride. Well, to those misdirected naysayers, I share the following excerpt from a delightful book I’ve been reading entitled A Celtic Miscellany. It is a varied, and utterly delightful collection of literary bits ‘n bobs, all masterfully translated from early Celtic literature by Kenneth Hurlstone Jackson.
From a section on humour and satire (something in which the Celts took great delight and did astonishingly well), I give you “Welsh Harper and English Bagpiper.” It describes the self-pity of a self-congratulatory Welsh harper at being upstaged by, you guessed it, a bagpiper.
Enjoy (he says, trying unsuccessfully to rub the silly grin off his face).
“Last Sunday I came – a man whom the Lord God made – to the town of Flint, with its great double walls and rounded bastions; may I see it all aflame! An obscure English wedding was there, with but little mead – an English feast! and I meant to earn a shining solid reward for my harper’s art. So I began, with ready speed, to sing an ode to the kinsmen; but all I got was mockery, spurning of my song, and grief. It was easy for hucksters of barley and corn to dismiss all my skill, and they laughed at my artistry, my well-prepared panegyric which they did not value; John of the Long Smock began to jabber of peas, and another about dung for his land. They all called for William the Piper to come to the table, a low fellow he must be. He came forward as though claiming his usual rights, though he did not look like a privileged man, with a groaning bag, a paunch of heavy guts, at the end of a stick between chest and arm. He rasped away, making startling grimaces, a horrid noise, from the swollen belly, bulging his eyes; he twisted his body here and there, and puffed his two cheeks out, playing with his fingers on a bell of hide – unsavoury conduct, fit for the unsavoury banqueters. He hunched his shoulders, amid the rout, under his cloak, like a worthless ballad-monger; he snorted away, and bowed his head until it was on his breast, the very image of a kite with skilful zeal preening its feathers. The pigmy puffed, making an outlandish cry, blowing out the bag with a loud howl; it sang like the buzzing of a hornet, that devilish bag with the stick in its head, like a nightmare howl, fit to kill a mangy goose, like a sad bitch’s hoarse howl in its hollow kennel; a harsh paunch with monotonous cry, throat-muscles squeezing out a song, with a neck like a crane’s where he plays, like a stabbed goose screeching aloud. There are voices in that hollow bag like the ravings of a thousand cats; a monotonous, wounded, ailing, pregnant goat – no pay for its hire. After it ended its wheezing note, that cold songstress whom love would shun, Will got his fee, namely bean-soup and pennies (if they paid) and sometimes small halfpennies, not the largesse of a princely hand; while I was sent away in high vexation from the silly feast all empty-handed. I solemnly vow, I do forswear wretched Flint and all its children, and its wide, hellish furnace, and its English people and its piper! That they should be slaughtered is all my prayer, my curse in their midst and on their children; sure, if I go there again, may I never return alive!
(Welsh; authorship uncertain; fifteenth century).
What I learned looking at Skye
Friday, June 3. I wave goodbye to my wife as she makes her way by train south to a writer’s retreat near Bath. I make a leisurely retreat back to the Edinburgh car park where awaits my trusty chariot for the journey to come. As I shut the car door it occurs to me, shit, I have to drive through the Highlands without her as my human GPS (SatNav) where Internet is as rare as the Loch Ness monster. Lord, have mercy!
Before executing the daunting task of driving the Highlands alone I spend a few days reacquainting myself with the chic, sleepy provincialism cum arts mecca cum tourist quicksand that is Edinburgh. Long walks down the Portobello promenade watching very white-skinned Scots sunning themselves on windy beaches. It adds credibility to my insistence that Scots change color quickly given ten minutes of sun. Peppering the shoreline are numerous ice cream stands, overpriced coffee-shops above health clubs, and as many accents as are people to sport them. And best of all, to grace these precious days, friends.
One particularly memorable evening I prepare myself for a most enchanting experience: a literary pub tour in downtown Edinburgh. Two actors, one playing an actor (does he get paid the same?), the other an intellectual, regale us with tales, poetry, and saucy anecdotes of the lives of Robbie Burns, Sir Walter Scott, and Robert Louis Stevenson – all of whom would have made great rock stars, awash as they were in wine, women, song, and…wine.
For lit-geeks like myself, it was orgasmic.
Sights, sounds, experiences – these are only given meaning when they can be shared with those closest to us. Edinburgh is a place of such connections. We lived here in 1989 making fools of ourselves among a motley group of trendy Baptists intent on serving one of the poorest areas in western Europe.
Pastor Andy Scarcliffe and his wife Moira are two of our bedrock Scots friends. It is their home that provided our, and now, my residence these few days.
Hours of slow and windy driving through the Highlands bring me at last to Kyle of Lochalsh. It is a tidy little Scottish village at the convergence of Loch Alsh and what is called The Minch. The unimaginatively titled Skye Bridge leads me to Kyleakin on Skye’s eastern shore. Both towns are replete with customary Scottishisms – quaint pubs, fish ‘n chip shops, numerous cafés complete with dodgy wi-fi, and store owners speaking less Scottishy for us tourists to decipher.
One would think it obvious that places like Skye would have their fair share of tourists. Dozens of us cram onto the tiny ribbon-like roads, hastily taking leisurely pictures at every available layby. We follow each other like newborn puppies in search of Mom.
But, apparently I still live too much in overly-romanticized pictures of it and I become bitchy about just how many of ‘them’ are here. This, despite the fact on numerous occasions I do so while taking view-enhanced selfies or while asking someone to take my picture as I pipe my way across the island – you know, the way actual residents do. *I do not possess enough appendages required to do the same.
By the time I stopped three or four times for still more precise directions I fill my cellphone to overflowing with photos even more touristy taken by at whom I whinge. I can live with that. Besides, once it became clear that I was merely part of the parade, like pinballs bouncing from one site to another, I relaxed a bit more and settled into this reality. A combination of Siri (when available) and my trusty old school map guided my way.
Cnoc Aluin, my island digs for the week would be one of the numerous well-fitted bed and breakfasts that pepper the island. But, not before getting lost on any number of identical tiny interconnecting ribbon roads, high-centering the rental car in the neighbor’s yard, and getting stuck in the driveway. I am, if nothing else, walking proof that the evolutionary process is, well, a process. Once I found the place, I knew it would be the perfect home for the days I would be here.
Irene, more big sister than business woman, reveals well the identifying marks of many city-born proprietors now happy to live simpler lives here. Born in Edinburgh, lived in London, she and her husband are all too happy now to help those like me find some of the magic here. During my stay, their expertly retro-fitted place also houses a Japanese family and two young grad students with whom to swap exploits. Tangentially, I bumped into the two students on almost half a dozen separate occasions at spots miles apart!
Skye has two ring roads that, more or less, circumnavigate the island. A northern and a southern route. Many smaller tributaries to other sites web themselves to these primary ones allowing access to more beauty than is humanly comprehensible. It is surprisingly small by North American standards. But, for its size it boasts a long, proud, convoluted history.
I waited my entire life to see this place. The greatest gifts require commensurate patience on our part. They are revealed to us only as we are prepared for the gifts, and accompanying responsibilities, they bring. Are we prepared for all that may be asked of us? Do we even know how to see what we most need to see? When we see, will we have the courage to invoke its transforming influence in our lives? Will we submit to lessons we hadn’t anticipated?
As I sit behind the wheel of the rental car about to embark on my first sight-seeing trip of this remarkable place, do I have what it takes to humble myself before its treasures and, metaphorically, God’s?
I pull out of the driveway in the expectant hope that I do.
August, 1989. My wife and I were the grateful recipients of Scottish largesse and enjoying a robust, five-course meal at Edinburgh’s George Hotel. The meal was spectacular. The entertainment? Lounge cheese. Nevertheless, down went venison, roast vegetables, fresh salads of varying kinds, nips ‘n tatties, roast beef and, of course, haggis. We were by far the youngest at our table, mere months after celebrating our first anniversary on Culloden Moor. It was pure magic.
I suppose this added a bit to our sense of naïveté and childlike wonder. We had just completed our time at Granton Baptist Church, Edinburgh as youth ministry “missionaries” and were spending some ramble time in the Highlands and England. We were, as a result, the wrong people to hear the travesty of screw-the-world chest-puffing comments that followed.
Seated across the table from us were two of the most arrogant ass holes the world ever produced. God was in the toilet when these two popped up whole out of the ground somewhere. The husband made the ass-tute observation, “aaah, ya see one cathedral, ya’ve seen ‘em all.” Delightful. She went on to add, “good Lord, what a California developer could do in the Highlands. Glencoe absolutely needs condos.”
As I suspected, your reaction was the same as mine.
I breathed in deeply trying not to portray my disgust, wondering to myself why it’s necessary for some people to reproduce when this is the best we can get. I consoled myself with the fact that they’d die before their time. Okay, so maybe I only thought it. I repented (kinda) and moved on.
In the lifelong pursuit of all that I’d call ‘home’, deep in the stone guts of a thousand-year-old cathedral or castle somewhere in Britain is as close as it gets. Even as a young boy my predilection toward all things old and musty presented itself regularly. This was constantly disappointed growing up in Canada. As deeply Canadian as I am, it was still never old enough to satisfy my longing for anything older still.
As I write I do so in a corner window overlooking the high street in Ambleside, one of many perfect Lake District towns. It is made to order for writers. It’s not much of a stretch to imagine why that has been the case for so many writers (real ones, that is): Beatrix Potter, William Wordsworth, Samuel Taylor Coleridge. It has inspired countless others since then, Shelley, Keats, and Robert Burns, to name but a few.
My point is, to find the deepest reserves of one’s creative and spiritual taproot, one must be willing to explore and discern what that actually means. The whole point of the spiritual enterprise is to be ‘home’ everywhere. It is to be completely comfortable in all places at all times under all circumstances. Says St. Paul, “I have learned to be content in all circumstances.”
My wife and I have come to Britain for a host of reasons. Hers are similar but different to my own. I am here to reconnect with my spiritual DNA. My helix is uniquely interwoven with that of the ancient, storied hills of Scotland. The latter part of our journey allows me some alone time, with the rental car, in the Highlands and then to Skye. I shall suffer this unbearable burden with God’s abiding strength (stupid emoticon here). I shall also offer more pontifications then.
Until then, I pray you never suffer the indignity of meeting the toilet-water-buffoons with whom we shared a table in Edinburgh.
For forty plus years I have submitted myself to being assaulted by a screaming five-legged octopus wearing tartan underpants. To the lay person – I am a bagpiper. It is, under any circumstances, an instrument that, like a crying baby on an airline (or me), demands center stage. It is a sound that captured me even as a boy of seven years old.
I grew up in a tiny bungalow in Calgary, Alberta the adopted son of a brewery worker and his wife, my mother. As I, along with my younger brother and sister, continued to grow, it became abundantly apparent that our consistent brushing of shoulders would only lead to heartbreak. My father set about building me a bedroom in our not-quite-finished basement. For some fifteen years to follow it would be my sanctuary – my monastery – the place where I found music, booze, girls (keep that bit a secret, they only know about the first one), and years later, Jesus.
The spring before my eighth birthday I moved in. Kismet. Changing channels one afternoon I happened upon a presentation of the Edinburgh Military Tattoo, filmed live at Edinburgh Castle. It is an annual display of pomp, circumstance, bright lights, booming cannons and bagpipes – lots of bagpipes. I was hooked. I begged my parents to let me learn to do what I had just seen, but thought I had dreamed.
A love affair had begun.
All other parcels had been destroyed and gutted of their contents by panting, over-wrought children. My Mom turned to my Dad and asked, “is that everything then?” (Oddly, in recent years, we’ve found ourselves performing such non-Shakespearean works with our own children…sigh). They went into a bedroom and reached under the bed, pulling out one final, unopened, present. As kids do, I skinned it in seconds only to discover contents that set me reeling (no extra charge for the bad pun) for an hour afterwards.
I owned my first set of bagpipes.
Okotoks, Alberta, 1992
Those bagpipes became a close friend. Extensive traveling, piping for dignitaries and royalty, numerous television and radio appearances, and two piping albums later, and our lives found us church planting in the urban-cowboy sleeper-community of Okotoks, Alberta, south of Calgary. It was idyllic. Rae worked for a local travel agency. I worked as an industrial painter for my father-in-law’s painting company.
As the call to ministry grew too loud to ignore we found ourselves scrambling to get our affairs in order for a move to Vancouver, B.C. where I was enrolled at Regent College. Bills were paid, scores settled, ‘t’s crossed and ‘i’s dotted as we made preparations. In a move I thought noble at the time but which now seems utterly foolhardy I sold those pipes to help pave the way toward ministry and the next chapter of our lives.
I have regretted it ever since…and I never did attend Regent College.
I have taught for many years at Bagpiping Seminars, Celtic Performing Arts Schools and the like. A dear colleague and one of my best friends is a man named René Cusson. Not only is he one of the world’s great pipers but he is a collector of instruments. Knowing me to be bagpipeless, he selflessly loaned me a set he’d picked up from a garage sale for $75. A keen eye, some research, and a sacred serendipity revealed them to be a rather famous set of MacDougall of Aberfeldy bagpipes probably made in the late 1890s, ultimately finding themselves to a legendary bagpiper killed in WWII.
For 25 years, from 1992 until September of this year, I played those bagpipes.
René’s daughter, Ceitinn is a champion Highland Dancer. But, as is the case with many purveyors of Highland arts, one skill is never enough. She wanted to begin bagpipe lessons and follow in her father’s footsteps. This of course meant a message to me that, although not unexpected, stopped me in my tracks. He would need those pipes back for his daughter to have something upon which to learn.
The process began of disassembling and packaging them for transport to their home on Vancouver Island. In September 2015, at the Greyhound Bus Station in Nelson, B.C., I said farewell to a comfortable friend and began a life of bagpipelessness once again.
Thankfully, as a piping instructor, I’ve been blessed to borrow student’s bagpipes as required.
Christmas Eve, a Good Time for Miracles
Selling bagpipes my parents bought for me is only one of many regrets. But it’s a big one. In spite of having had a set to play all these years, that memory is not easily erased. And I may yet be a novice in this whole Christian enterprise but I know this much, God delights in reversing the irreversible; in repairing the seemingly irreparable damages of our past.
In Gospel terms, regret is a wasted emotion.
To my surprise, shock, and delight I was gifted with a brand new set of McCallum bagpipes at our Celtic Christmas Eve service this year. Completely unknown to me, pastor Duncan and ??? colluded in a series of conversations and scheming, phone calls and plotting, sideways glances and squishy secrets to research, obtain, prepare, and gift me – publicly no less – with this amazing thing.
Best of all, my Mom and her husband, Sam were visiting us from Alberta, and were present to see it. If anyone knew just how inconceivable it is to play a bagpipe “fresh out of the box” (bagpipes are frustratingly moody and don’t follow directions well), you would understand just how gratifying it was to pipe folks out of the sanctuary with this new instrument!
I’ve played them for hours since then in a mixture of awe, tears, and bewildering joy. To say I am grateful is a woeful understatement. To say thank you just feels so utterly lame.
But let me start there…
It was 1970. I was under-ripe, but hoping for the best at 7 years old. My Dad was developing the basement in our tiny 1000 square foot bungalow in Calgary, Alberta. Part of that process was building my own bedroom (let applause dwindle before carrying on). I was elated. During part of the process I was sick and recall sleeping on a movable cot in an unfinished room into which my parents had brought a TV that I could watch while convalescing. Poor me, I don’t know how I managed under such rigorous conditions.
My life forever changed one evening upon watching a live presentation of the Edinburgh Military Tattoo from Edinburgh Castle. I was smitten.
I had encountered something so pristine and wild that I told my parents the next morning I wanted to learn to play the bagpipes. Instead of the response generally expected, perhaps even advisable, for any parents, mine were intrigued and supportive. In less than a year I’d become part of a local Boy’s Brigade company hosted at the nearby St. Andrew’s Presbyterian Church where I would also begin my first lessons.
Perhaps the biggest discovery however was that I was becoming aware of my beginnings. My parents made it clear to me (as clear as such things can be to an eight year old) that, as the oldest of three adopted children, I came from Scottish DNA. Spooky to some. Intriguing to others. My response to this growing revelation of my biological roots was an insistence that I was finding my spiritual ‘home.’
Alongside many others through the centuries, I am one who uniquely identifies with what we believe to be true about the Celtic way of life.
I’m happiest when I’m a little sad.
Life is always better in the rain.
Green will always be the best color.
Everything is a metaphor for something else.
When I wander, I long for home. When I’m home, I long to wander (translation: whiny and impossible to live with).
Stories, music, poetry, and art are still the best way to teach anything.
Women are best when allowed equal voice in the community.
The forest may still be the best place to worship together.
Dark skies are a sign of hope more than weather.
The best life is when one day we sing together, the next we die together.
And, learning means more about living than just knowing.
What I’ve loved most about my place on the Celtic role call is that life for the Celts wasn’t neatly compartmentalized, as it is in our western, rationalist world. The idea of one’s “spiritual life,” or “physical life,” or “social life,” or “sex life” would have been quite foreign to them.
It was, quite simply, life. Everything mattered equally. Everything counted. Nothing was completely meaningless but contributed to their daily and eternal existence.
They lived very outward lives from very inward places. They spoke of “thin places;” the nexus where one could feel the outline of God’s hand touching theirs from behind the thin sheath of reality. The thin place, where transcendence meets the here and now, was where the Celts felt most comfortable.
It contributed in forging a Christianity deep enough to pray ceaselessly, strong enough to endure a pushy Roman empire and countless robust threats, and bold enough to sail into the unknown and share what they had experienced.
I like to call them “practical mystics.” They rehearsed the soul well enough to sing its song in the byways and the unforgiving wilderness. Their memory of mystical encounters with God propelled them outward to meet innumerable dangers to preach and live the Gospel.
They possessed a unique zeitgeist I like to call “shared home.” Hearth and home, food and fire, pain and process, bird and beast, wine and women, song and celebration, faith and family, God and neighbor, self and sacrifice, love, laughter and loss – all of a piece, one undivided garment of singular living. What they shared with the world they had already experienced in their daily lives.
They were perhaps one of the most genuinely whole peoples the world has ever known. I would even go so far as to suggest that they exemplified a very biblical faith. They marched to the skirl of their own bagpipes!
As a result, Rome absolutely LOVED them and offered their undying support (pry tongue from cheek here____________).
What the Celts understood is that there would be no outward “success” without honest, inward labor. The great, wide sea that would lead them to countless would be Kingdom-citizens awaiting their hopeful voice could wait long enough for them to be well acquainted with the reason for their journey. Boats easily sink when left untended for too long.
They went out boldly to see God at work in the world, but did so through the in door of communal spiritual practice. They had more than ideas to share. They took their photo albums and welcome mat with them.
The insatiable longing to belong so pervasive in the Celtic spirit changed their way of living. They willingly and consistently explored what it meant to be “home,” all the while sailing to the ends of the earth in pursuit of what they sought. In so doing, they brought the hopeful message of Jesus’ new Kingdom to those people everyone else called “barbarians.”
The Celts called them neighbors.
The Celts loved silence and the life of the soul. But they loved it too much to keep it a secret. They went out through the In door. And, with this inner treasure in tow, they sailed the great deep to change the known world.
We are their legacy.
Great Guardian of hearth and horizon, soul and sail,
I have lifted my feet in obedience to an insistent wind.
I have lifted my head up above this tiny-rimmed being.
I have sought again what once was too costly.
I have set out once more upon a wildly restless sea.
And found what was looking for me.
As I deepen, glacially but surely, in the Way of Jesus I am finding freedom in the manner, frequency, and creativity of spiritual intercourse. There are a number of factors in these discoveries. I am getting older – a fact, apparently, applicable to all. The passing chronos lends a certain gravitas to the focus of kairos. And, the slow-cook crockpot of my formation adds fewer ingredients every year to an already complicated soup. Sometimes it’s not more, or even better, ingredients that are required for the quintessential meal. Sometimes it’s the right ones at the right time that leave the palette happy and wanting more.
As I’ve written numerous places, the past few years have been richly experimental in regions of contemplative prayer. Learning to love silence. Seeking out solitude. Making friends with simplicity. Studying the nuanced coup d’etat of lectio divina. Prayer walking. Being enriched through congregational liturgy. Journalling the works.
All these and more continue to contribute to whatever Rob, slightly enhanced, may be forthcoming off the stove.
But something is changing. With the increasing 20/20 available through the grace of kairos and the experience of chronos, I’m latching more and more onto the fluidity and ubiquity of unceasing prayer, specifically as it has come to be associated with who I am more than an action to which I commit. If in fact it is true that God is omnipresent, theologically, and an unceasingly constant spiritually, then it should come as no surprise that prayer can and perhaps should be, everything.
There is a state of being available to all persons everywhere that is readily found in that which most thrills the soul. For some, the ticking clock, counting the passing hours immersed in good literature. For others, it is the choir of smells united in one explosive song on a nature walk. For still others, it may be culling from the raw ingredients of the earth, something rich and flavorful with which to delight the tastebuds of friends and family.
For me, it was music and writing.
As a teen, and a budding musician, I would often sit for hours on the front step of our house simply playing my guitar. The notes, some of them good, others lined up for the shower, collided together to produce more than just music. They created space; a kind of generous openness to whatever the universe was at the time. A particular kind of peaceful “zen” or as Thomas Merton might call it, “contemplative awareness” resulted, leaving me just where I needed to be. This was true even as I spent countless agonizing hours learning impossibly difficult melodies (I certainly thought so at the time!).
In recent months, as more conventional understandings of contemplative prayer have waned a bit, I’ve had a certain yearning to resurrect this practice. And resurrection has been the result. To plant myself on a lawn chair a few feet from my rose bushes (such as they are) and play music inspired by the same, in tune with the wind, has once again ushered in a holy Presence. It has centered me like nothing else lately.
It has also brought a much cherished simplicity and deepening unification of all I am into pulsating notes, maybe not always in tune, but always tuning. Music, once again, has become for me the changing face of prayer, changing me.
She was slightly chubby with a pinkish, round face, and dancing eyes that squinted a bit when she smiled. She had a way about her that was at once bracing and dangerous while at the same time hospitable and kind. She felt…comfortable. Our afternoons were often spent talking about all manner of shared interests: music, art, nature, beauty – often while lying side by side under our crabapple tree in the backyard gazing at the summer sky. It was heavenly. We held hands. We kissed. Often.
We were ten.
I was elated. It was summer. It was hot, and I was slicing through cool, choppy wake churned up by the boat behind which I was waterskiing – upright – for the first time in my life. My friend Darrin was driving, his dad beside him, and his younger brother watching me in case I came into difficulty. Silly, thought I. What could possibly go wrong? As is often the case with cocky, self-assured fourteen year olds, with over-confidence I over-compensated for over-reaching and found myself suddenly bouncing headlong over waves (surprisingly hard while cheese-grating along their ragged tops at forty miles an hour). By the time I finally pulled myself up from under the smug water, I was out of breath, bleeding from my side and completely naked.
It was exhilarating.
I saw my ever stoic and unyielding father cry only three times. Once during a heated exchange with my younger brother in which he loudly proclaimed that dad was an imposter (all three of us were adopted). Once, when my mother screamed at me so violently it made me cry out all manner of things I now wish I hadn’t. His hand, placed over mine at the kitchen table, is etched forever in the not-to-forget section of my memories. And once when he got back his biopsy results. I had driven him to Rockyview Hospital so that someone was with him should the news not be good. It wasn’t. At all. He came out of the room, face a pall of grey, and trembled out a few words in his roughneck Saskatchewan farm boy manner, “well, looks like I got a touch of the cancer.”
I miss him still.
I looked out the airplane window to a sight I’d waited seventeen years to see. The tightly woven, ancient and ragged hills of Scotland, huddled together in green beyond imagination danced a jig before me. If there’d been a seat on the wing, I’d have taken it in a heartbeat just to be that much closer to the land of my soul. Although Canadian born and raised, I have always been Celt to the core. My genes are kilted, my blood tartan, and my chromosomes play bagpipes proudly, up and down the hallways of my DNA. Best of all, I was there with my Welsh-Canadian wife of less than a year. Two Celts touched ground in Prestwick on a chill April day in 1989 and have never been the same.
“O flower of Scotland…”
The din was almost deafening. Bagpipes everywhere. It was August, 1991. Bellahouston Park in Glasgow. It was a “second first” related to this place. A bagpiper from the age of eight, I’d dreamed of making my way there to compete with the world’s finest since barely in double digits. Now, as head instructor for an up and coming junior pipe band, I was again on old country soil. This time, for the World Pipe Band Championships. To say it was dreamlike would be understatement akin to calling Mt. Everest a quaint, country bump. We were called up to the line. The pipe major barked his command, “by the right, quick march!” Two three-stroke rolls from the snare drums, drones, chanters, then – seven minutes of music, practiced and polished for two years.
Ask a bagpiper to define heaven.
This was originally posted as a guest post on a favorite website of mine, Abbey of the Arts (thank you Christine Valters-Paintner!). What a delight to be given opportunity to share one’s life among kindred spirits in the grand dance that is our eternal redemption.
Please, please, please, if you haven’t already done so, be sure to visit Christine and the rest of us Monk-Artists at the Abbey. Come visit/like the Facebook page as well. You’ll be so glad you did. I promise.
A Celt in a Kilt and the Beautiful Mundane
By Robert Alan Rife
I am the dusty ground, low and dry
thirsty for the imprint of holy feet.
Despoil with radiant prints, this virgin ground.
You are the rain, falling deftly
upon my brown soil. Now is left
your footprint on this ground.
I am the ashen leaves, curling and broken
awaiting but a whisper. For only then
can I fall on solid ground.
You are the soundless wind, howling, still.
You creep up behind me and
exhale me to the ground.
I am the snow, disembodied worlds of cold
and chance encounters with hand, or tongue,
eye-lash or palm needing ground.
You are the frozen air in which I am held
aloft, drawn slowly down
to meet with others on the frozen ground.
I am the waning autumn death
soon to give way to the long silence-when one Voice
becomes the loudest ground.
You are the Voice that speaks
heard best in dying, power given for
rising from this shivering ground.
I am the distant hours, the midnight passing-
the refusing minutes, trapped in hours,
running from the years of ancient ground.
You are the many, and the one, and all time
and nothing and everything from nothing
where time has no ground.
I am the weeping, the squalid groaning,
the unrequited miseries of misery’s company
laying crippled and diffused in the ground.
You are the end of tears and years, the question
and the answer, the sutured nerve of joy, not suggested
but present, here, on this Holy Ground.
For me, the term ‘monk’ used to mean ‘one safely cloistered away from the cares of normal life in dimly lit, echoing stone hallways where hooded men sing hauntingly beautiful music and basically float just a bit off the ground. A single, piercing glance from their crystalline eyes means healing, they have superpowers, can read your thoughts, never need to eat, and speak once a year whether they need to or not.
Since leaving behind my roots in evangelicalism for headier waters elsewhere I’ve since discovered that monks often have the sauciest senses of humor, the bawdiest stories and, not surprisingly, the deepest delight in the world around them. My kinda fellas. They’re as non-dualistic as they come; a life to which I aspire. Apophatic meditation one moment. Bodily noises the next. Welcome to my world.
I am a dreamer; a philosopher-poet capable of romanticizing even the most mundane banalities. To a guy like me, cutting the grass has the potential to be a portal into the nether regions of the universe, awash in liminality, where mythic faeries ride unicorns on their way to Celtic slumber parties. But, I’ve been known to overstate a little.
Clearly, I’m a favorite among type-A corporate headhunters (tongue super-glued to cheek). Rather, stereotypical songwriters, tree-huggers, poets, unfocused A.D.D. artsy-fartsies, and contemplatives love to love me. They’re my peeps. My homies. They know my psychic address.
These overly romanticized sensibilities haven’t always promised smooth sailing for me. In fact, more often than not they’ve brought more than their fair share of woe and disillusionment. The world has precious little patience for those like me, preferring instead the multi-tasking, power-doers with ambitions larger than the moon upon which they hang their coats (but generally not their egos). It’s a challenge in our super-charged, winner-take-all culture to prove real value in lighting candles and pursuing silence when time is money and money is god and god keeps shrinking or running away.
My earliest recollections of spiritual awareness contained the following simple elements: surprised by joy moments, generally unasked for and seldom expected; a sudden awareness that the world was not really as it seemed – that from God’s perspective all was well. Specifically, I was drawn to all things ancient, mystical and Celtic. As a bagpiper/Irish whistle player who has toured extensively it makes sense that, for me, the world is seen through green colored glasses, smells just a little peaty, telephone poles were meant for tossing, and “ladies” is misspelled on the restroom door (insert look of shock and consternation here).
Although a mystic from a very early age, despite a decided lack of language to articulate such things, my fate was forever sealed when, for the first time I heard the Great Highland Bagpipe. I was seven years old. I was gobsmacked. Mere weeks later, in the basement of St. Andrews Presbyterian Church, I started learning to play the pipes. I have played ever since.
Something else happened however. It christened a liminal journey of my inner mystic and forever sealed my fate as a lover of all things Celtic, monastic and artistic. It also began an almost unassuagable thirst for the monastic realities of thin-place living. Puddles become holy water. All time, whether singing, snoring or snacking, can be wrapped up in a ball of quivering holiness. It is the essence of Celtic spirituality. It is my essence (especially if we had haggis the night before).
Now, a gazillion years and as many prayers later, to be an artist, a mystic and a monastic-wannabe is for me to see myself less as a dreamer and more as a waking dream. Life is to find the holy in the banal; the glorious mundane. The perfect, daily moments of nothing-special that, simply by virtue of noticing them, become possibilities of inherent wonder. The greatest gift I’ve received in the past few years, something particularly attributable to the Celts, is that of awakening to these shimmering possibilities in the blasé and dull. How brightly they shine under the light of the God of order and magnificent delights.
Here is my Conversations Journal post for March of this year. In it I touch on a favorite discussion: the spirituality of home. I’d love to hear some of your own thoughts and yearnings on this most powerful of topics.