The Story of a Song – Learning to “Unleash Our Goodbyes”

To tell this story I must first connect you with a blog post from 2011. Read this first…

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My oldest son, Calum, and his songwriting partner, Eli, recently wrote a love song entitled The Highs of Hellos. It is a love song of sheer genius on more than one level (but, of course, as a shameless stage Dad, what would you expect me to say?). The opening lyrics paint a black-and-white Casablanca type scenario of longing for love but also of its elusive quality:

“She says hello, monotone,

staring over the glass of a cocktail an hour old.

She says there’s no need to explain,

But then a restroom break turned into a departing plane.

And that bar piano man, he started playing…”

My point is not to depress everyone with sad love songs. What I will say is that, when facing the unspeakable ache of leaving with beloved faces in the rear-view mirror, songs with uncertain endings often make for good travel companions. Elton John once wrote that sad songs say so much. For one who is sad, a truer statement cannot be found. But sadness isn’t always what songs and poetry say it is. There is a good, almost welcome sadness in the wake of friendships, forever sealed but never forgotten, that must endure parting.

Sadness gets a bad wrap in a culture hooked on the elusion of a happiness bought and sold. It has come under hard times since our hope for anything but pushes us to cloak it with…well, anything we can find. It is seen as the hooded marauder, seeking whom it may destroy rather than a potential friend if we could just sit with it long enough to say hello and get acquainted. The sadness of which I speak isn’t the dire hopelessness of unrequited love. Instead it is the bittersweet angst of a love, of necessity, left behind – at least physically.

The last time I wrote of this was upon my return from this year’s grad school January Residency. At that time I admitted to a certain lost-ness birthed of the realization that it was the last of three such residencies and potentially the penultimate meeting of our beloved “Conspirators.” This weekend marked the end of a three-year foray into the wilderness, both mysterious and hopeful, of a Master of Arts degree in Spiritual Formation and Leadership, now complete. As I’ve shared previously, these 18 other dear souls know far more about me than is either comfortable or reasonable given the rather edgy and dangerous personal territory into which we have frequently traveled.

This is the result of all our seeking. It is both reason and end of our doctrine. It is the direction our lives must take if the painstaking journey of vulnerability wed to authentic community life is to yield her ripest fruit of hope. Recognizing that most of the people I know and work with have perhaps never experienced community and awareness of the mutuality of love as I have enjoyed these brief three years creates a fire within me to be a catalyst for it in the community to which I now return.

That and that alone is what turns the “highs of hellos” into the possibilities of learning to unleash goodbyes…

“Where did you go, my darling?

Where did you go, my old friend?

What she did not know,

Is that shot boy with his hands in his pockets,

You were all he ever wanted – somebody to hold,

Life’s just a series of goodbyes with the highs of hellos.”

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Now, in 2026, these words hold as true as ever. We are not islands. We are an archipelago, a unity of each other’s lives; of our stories and shared experiences, of our failures and victories, hard fought and won. In the connective tissue of mystical faith we are never really apart. Instead, we learn quite simply to Unleash Our Goodbyes.

"Conspirators." Our master's graduating class for whom the song was written.
“Conspirators.” Our master’s graduating class for and about whom the song was originally written.

The Story of a Song

I’m a musician.

More specifically, a songwriter, a composer of three to five-ish minute stories, sung exposés of heart and soul, guts and grime, faces and places. Sometimes they squeeze out of me like toothpaste from the tube, globular and grotesque until they shape up, shine up, or ship out. Sometimes they feel like a Rubik’s cube – confused and mystifying until the right colours align and the palette finds its rightful place. Sometimes they are a town made of Legos, uninhabitable ghettos, angular, sharp, hard on the feet, until the final block snaps into place and home comes into view.

In rare moments, they arrive complete. Finished. No edits required. A gift that asks only to be notated, promptly sung, and properly introduced to whomever might be interested.

2015. It came to me while sitting in my reading room at our home in Yakima, Washington. What follows is the story of its (and my own) emergence.

A church music director for most of my adult life, it had been my remit to satisfy front-of-house needs for artistic class, professionalism, cultural relevance (whatever that means), beauty, and involvement in the particular church of my employ. Choral directing, training, and performance; listening endlessly to frequently banal worship songs, pursuing the best ones for consumption; composing and/or arranging new songs; identifying, training, and releasing new musicians; seasonal concerts and performances; hobnobbing with the muck-a-mucks to ensure funding and support to our program; fielding “concerned” emails about my approach, methodology, song choices, or choice of hairstyle (no, really).

I genuinely loved it. I think I’ve been good at it but won’t ask too many questions, just in case…

But, any job, even one as fulfilling as this, can become stretched, insufficiently gratifying to ensure warmth on those cold days of uncertainty and desire for something new. The best tricks up one’s sleeve become well known, even expected, to onlookers. Tricks of the trade, inside jokes, clever banter (at least I thought so) – where once they generated wonder and amazement, now, at best, they go all but unnoticed and, at worst, prompt eye-rolls, chuckles, even groans generally reserved for Dad-jokes.

A second presenting concern was the resignation of the senior pastor with whom I’d enjoyed years of heady and inspiring co-leadership. Duncan, a young and vibrant Princeton graduate with off-the-charts charisma, energy, creativity, competence, and ideas had joined our staff. I was smitten by his indefatigable creativity, compassionately confident, and compelling leadership. It was, in a word, a bromance.

Duncan and I in 2011

He had hit a wall personally and professionally and felt the need not just to resign from guiding our church, but from ministry altogether (he is now a happy and successful fire fighter). The news hit me like a train. I believed us to be the Simon and Garfunkel, Lennon and McCartney, Plant and Page of our church. By his own admission, he felt similarly. All that, however, was to be no more. I was lost and shouldered it like Apollo’s world-bearing curse. Could I continue doing all this but in brand new ways? Should I do these things but in a new location? Would I find satisfaction doing something else entirely? None of the above? All of the above?

For many, these questions are professional ones, career-defining questions designed to clarify and shape one’s evolving professional life. For me, they were existential and required a deeper dive towards any kind of answer. Let’s try anyway, shall we?

Those like me, perpetually wandering melancholics, happiest when a bit sad can feel a little lost as this begins to melt away in the face of…peace. Shalom. How can it be that someone whose cottage industry had been disenchantment and ennui suddenly finds contentment?

After a sabbatical in 2016 to the UK, it was clear that this was where we were truly meant to be. There began a long process of discernment through which we embarked upon a new journey: a move from Yakima, Washington to Edinburgh, Scotland.

“You Want to Fly Again” was my heart’s cry for what we’re currently experiencing. The song had been covertly prophetic of what was yet to come. I was unaware that I’d written a song intended for everyone but which held within it the seeds of an unfolding reality. And that reality is good. Very good.

I encourage anyone who happens upon these words to do so with faith in the God who still works in mysterious and miraculous ways. If this can become our journey, I am bold to say it can be so for you as well.

May it be so.

Sam Still Sings in His Sleep

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Sam’s urn, made by Lane Damberger from the wood of a 100 year-old chair

Saturday, July 29, 2017

Today, we laid a good man to rest. And we did it just how papa Sam would have wanted – with belts ‘n boots, hats ‘n hoots, songs ‘n roots. Today, we celebrated him even as he celebrated us.

Friends (to Sam that was pretty much everyone), family (to whom he gave himself unreservedly), and lovers of music (Sam was a magnet to these types) all gathered in the heat and humidity of an Alberta-in-July afternoon to remember. Not just remember, but tell stories, maybe a joke or two, and sing songs – often at the same time. 

 

 

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A place to pay respects

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Papa Sam, still smiling

I was honoured to act as host to an event rightly called “A Celebration of Life.” There are those who would be aghast at the idea of such revelry at an event generally reserved for more sombre fare. “Funerals are for closure,” they tell us. Unless we can see the cross and communion table, and sing In the Garden, it’s just not right. 

“They’re welcome to it,” says Sam. “I prefer to have all my friends a-cross from the picnic table, communing together in God’s garden. For me, it’s just right.”

I acted as host, as I often do at these things. Beaming like high-beam headlights, Mom introduced us all as her family, as Moms do. This was to be a day for all of us, anyone even remotely related to Sam. It was an open door party. There were few expectations. Perhaps a love for tapping toes, sharing a humid afternoon with horseflies, and a belt with enough holes to allow for a belly full of pulled pork and potato salad.

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Mom, in typical fine form

Small price to pay for a heavenly hootenanny. And this affair was that, a gathering of fellow sojourners with happy hearts and hungry guts. This was Sam’s world, where the two always go together. And this celebration was designed to satisfy both.

To know this man was to celebrate in general. If Sam was in the vicinity, a gathering would soon follow. He attracted musicians like Alberta mosquitoes. Just more welcoming. It was best if you knew a song or two. Play an instrument? Not to worry, you were always welcome. If so, that much better.

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One of Sam’s many guitars – signed by those who loved him

All those gathered here in this place did both. Very well. And, their voices held the weight of grief borne of cheer-filled music and laughter. The Willows would be our home for the day – nestled in a little aspen grove carved out of the broad, Alberta landscape. 

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Three of my favourite Canadian gals: left to right – Marianne (courtesy sister), Cyndy (my sister), and Judy (my step-Mom-in-law)

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Brother and sister share a cuddle

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Grieving is easier with friends and music

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Lane and Mom share a moment

 

 

 

 

 

 

 

Sam Young. Papa Sam. He was a man of surprising talent, energy, industry, kindness, and complexity. Mom might have called it chaos. She’s gonna miss the bugger, as are we all.

This little man of a big heart kept her in the happies for over twenty years. In fact, I have observed a pre and post-Sam woman. The former was much more anxious, uncertain, ambivalent. The latter, engaged, hopeful, courageous, a risk-taker; a woman fully alive.

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Bagpipes – cowboy style

 

Sam never lived life from the periphery. The edges were much too flimsy, too safely suburban to support his wild west spirit.

No, Sam was a deep-sea diver, plunging off the bow head first, wrestling sharks and singing them songs all the way down. It’s likely why he never drowned. Life was his rodeo. Saddle up, cinch up, shut up, and giddy up. He sang songs to soothe the ornery beast that tossed him to and fro.

 

 

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A place to sit with Sam

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The Métis Nation and Canadian flags

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Chris and Jan

But, mostly, for Sam, life was a campfire – a gathering around a welcome heat and light for friend and stranger alike. He’d kickstart countless singalongs and jam sessions, enough to cheer us all and then some.

A single hour with Sam at the ranch promised at least two things: evidence of the trade in every corner of the house. It would be easy to step on musical instruments, strewn about from stem to stern. He was always boasting some new guitar, mandolin, banjo, or other. 

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Dale

But, the second thing one encountered at papa Sam’s was jovial conversation. Lots of it.

Lots and lots of it.

Get Sam going on a topic and he was a wind-up doll. Best to just let him run with it. Otherwise, you would only encourage another pull of the string and off he’d go again. Short visits were rare.

But they were good. Very good. At least a song or two found its way into every one of those visits. Or, perhaps some new insights on resetting a fiddle bridge, restringing a mandolin, or shimming a bone saddle. He had taught himself the luthier’s trade. I wish we’d spent more riding that horse together.

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Young Charly Doll sings Dolly Parton

I generally consider myself to be reasonably conversant in the physics of stringed instruments. That is until any visit with Sam. Then, I discovered just how little I actually knew. Much of what I called know-how was often just a lot of pretentious bullshit.

But, regardless of poorly veiled lack of insight into the topic, the time spent was always worth the time spent. I value every moment and, whenever it is I go to join him, we can pick up where we left off. Besides, Jesus will need a break from Sam talking his ear off.

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Bruce and Doug Rawling

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Roberta and Melva

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Saying a Métis prayer

 

 

 

 

 

 

 

“Good, you’re finally here…can you take over for awhile?”

“Lord, isn’t patience a virtue?”

“Of course. But, the Baptists ran out of potato salad, the Pentecostals are squabbling over something, and I need to break up the Presbyterians – they’re starting another sub-committee.”

“No worries. I got this. We’ve got more songs to write anyway.”

“Thanks. While I’m gone, I’ll ask Pop where my fiddle is.”

“Perfect. When you find it, meet us back here, we’ll be singing ‘Back to the Mountain’ with Peter, Gabe and the boys at the campfire.”

“Just don’t encourage Barnabas. He thinks he’s being funny when he sings ‘Stairway to Heaven.’ Oh, by the way, Peter’s on probation. He’s been hitting on the female angels.”

“He won’t be a problem. I’ll just tell papa Sam that he loves stringed instruments. That’ll keep ‘im busy for awhile. But, hey, we’ve got nothin’ but time on our hands…”

My gut tells me he’s already broken up a squabble and tricked the Presbyterians into singing “Blue Eyes Cryin’ in the Rain.” If nothing else, with Sam pluckin’ and singin’, heaven won’t be stuffy, and eternity will seem like half an hour.

Have a listen to Back to the Mountain