I think I’ll call this latest phase of my personal development, “observational spirituality.” It’s not particularly original. Kitschy, I suppose. Cutesy? Melodramatic? Perhaps all of that and more. But, at the risk of sounding dismissive of the apophatic theology or the sometimes borderline morose asceticism of some mysticism, I’m squarely in the “see ‘n say” life program. At least right now.
My prayers are open-eyes, open-hands, double-takes, pen ‘n paper, q & a, and laced-up shoes. Prayer, even contemplative prayer, is on the move, seeking God from a moving center of gravity.
Those who know me well but not normally affixed to the world of spirituality see this is as a return to normal, whatever that might be. God bless them. I think, on one level, they’re likely correct. My guess is what they mean is that Rob has become less esoteric and more fun to be around. Less spiritually obtuse, opaque, and more…reachable.
Nothing could be truer. However, it might not be in the way they think. I haven’t given up on the ocean of mysticism and my belief that the truest theology isn’t what we think but what we perceive and experience and live. But I am on hiatus from a contemplative spirituality that, at times, merely perpetuated my need to run from the sharper edges of a life I couldn’t understand, let alone master.
This has profoundly impacted my poetry and writing. Much less moan ‘n groan, much more cry ‘n sigh. Less sad, more glad. Less whine, more wine (metaphorically, of course). Even my demeanour is changing. I’ve fully re-embraced the extravert who had lain dormant for many years while God messed around in my business.
So, a little exercise. What follows is a short journal entry from last weekend in Portland, Oregon. My wife and I were writing, as we often do. Mine became a simple celebration of what was right before me. It helps amplify in me a favourite word these days: notice.
* * * *
Blocks of mismatched, oddly coloured flats, like leftover Legos, greet me upon opening hotel curtains, themselves an unfortunate retro-seventies error in judgment. I open the window and partake of the wet air. This stuff is made for lungs that appreciate breathing like fine dining more than the dry, git ‘r done Yakima dust.
The cool, soppiness of a Portland sky is a cliff dive for me into a densely soft Yorkshire Pudding of nature carbs. Richly satisfying. Even if I had to pay for it later, it wouldn’t matter. I’m full and the landing is even softer than the jump itself.
The almost preternatural way I’ve always taken to the damp, concrete-smell of mossy earth and sky tells an old story. It is one I’m only beginning to understand. There’s something oddly familiar about wiping this outdoor bathroom mirror sky to catch a glimpse of someone I recognize in no other way.
Not unlike many others, I live for these moments, moments of simple observation. Recognition of what is. Meditations upon the obvious. One discovers that, in discovering whatever lies just beyond our fingers, noses, tongues, and eyelashes provides ample fertilizer for the soul, which remains unseen.
So, in the interest of a better look, I pull down the blue-grey, clouded hat-sky upon my waiting head and tuck into the day.
Here it is, where everything meets, greets, and seats me. I do not need to look any deeper. It is already seeing me as I am. The rest, as they say, is gravy.
Thanks for being here with me. I need you all.
I’m new to Julia Cameron’s idea of Morning Pages. Her best-selling book, The Artist’s Way, has changed many lives and continues to do so. Lately, it seems to be the case for me as well. Through so much of what I write or compose, I am seeking to link the deepest places of my soul to the creative spaces in my head. To put it another way, I am happiest whenever my deepest longings meet my best gifts (thank you Frederick Buechner!).
But Ms. Cameron does this so much better, so here we are. I love the idea that art can create wonder from boredom, peace from turmoil, full from empty. It’s supposed to be that way with our spiritual practice as well. Creating light from dark is what the gospel intends to do in all of us.
But we so easily entangle ourselves in all that is quick, convenient, or potentially euphoric. We shelf the best stuff for the fast stuff. It robs us of what our creative and spiritual selves want to share, with us, and with the world.
My interest in Cameron’s book has been piqued for many years now, but only got taken off the book shelf recently. Procrastinator you ask? Um, hell yeah! Nevertheless, we’re there now and she is guiding me into my own well by means of writing as meditation. It remains my intention to write my book from this well.
But, I gotta find it first, relearn how to lower the bucket, and not be afraid to see what comes up. So, here goes. These were my Morning Pages from today, Friday, June 30th. Hopefully they find you whole and happy.
* * * * *
Morning has again crept with typical stealth onto the broad, brown land. This is a hopeful time of day for me. It’s as though I’ve been granted another twenty-four hour run at this thing. Life may have been a jolly cock-up yesterday, but morning comes again and says “Fuck it. Let’s give this another go, shall we?”
For someone like me, prone to shadow, turbulence, and chaos, this comes as welcome invitation indeed. The equally broad landscape of my life needs this daily reimagining. They are little reawakenings as it were to all the yummy goodness just below the surface of things.
In this desert, although appearing brown and dusty dry on the outside, there holds within it all the possibilities of the world’s first day. If God can step back, clap His/Her hands, and with a smile proclaim, “it is good,” then surely I can do the same.
That should be a regular meditation for each new morning to which I have the good fortune to see. Step outside, listen, take a deep breath of its newness, and, together with my Creator proclaim, “it is good.” Perhaps with such an outlook, every day can be experienced for the next-chance-to-grow it really is.
Besides, if God could create something new every day and say these words at every one, then it behooves me to do the same. Even if I can’t quite get to that level of optimism, sometimes it is enough to say “well, I fucked up a lot less this time. That’s good, right?” The icing is to rest at the end with feet up, heart full, proverbial Gin and tonic in hand (well, tonic water for this problem drinker!)
What could be better?
One can hardly be surprised then to know that St. Augustine’s favourite passage of Scripture was the creation narrative. He elucidates upon it in depth in his Confessions in a way only a genius philosopher can (beautifully unintelligible). He sees things in the creation not readily available to mere mortals like you or me. But, in my ongoing pursuit of contemplative creativity, there is here a wonderful challenge; a holy dare.
I have before me then a challenge to see, truly see, what lies right in front of me. Where I see a sparrow, God sees the perpetual renewal of all things. Where I see a rose, God sees something magnificent from humble beginnings. Where I hear a crow caw, God hears a virtuoso in training. I taste dirty water, God tastes the banquet, spread out with delights borne of its nourishing goodness.
In the brooding darkness that so often smothers me, a good long look at a morning like this one acts as reminder that it is truer than me. It is the darkness that is askew. The brilliance, colour, and cacophony of sound is the real. And it is before me now, insistently mocking all sadness and doubt.
If God is so capable of seeing perfection in the imperfections and incoherence of each new day, then that is what I am called to see. What we are all welcomed into.
So then, step outside with me, stretch, yawn, blink, breathe in deeply, and stare into the day. Then, together, with He/She who built it, say…it is good.
Peace, dear souls