Adventia, day 6

Our offering for Adventia, day 6 comes to us by way of the Adventus Project, which did a wonderful Advent exploration last year. C. S. Lewis never disappoints!

What the Bird Said Early in the Year
C.S. Lewis

birdbig

I heard in Addison’s Walk a bird sing clear:
This year the summer will come true. This year. This year.

Winds will not strip the blossom from the apple trees
This year, nor want of rain destroy the peas.

This year time’s nature will no more defeat you,
Nor all the promised moments in their passing cheat you.

This time they will not lead you round and back
To Autumn, one year older, by the well-worn track.

This year, this year, as all these flowers foretell,
We shall escape the circle and undo the spell.

Often deceived, yet open once again your heart,
Quick, quick, quick, quick! – the gates are drawn apart.

Adventia, days 4/5

I missed a day. So, our beautiful offering from Christina Rossetti will make for two days in one. I hope you enjoy it as much as I did, and still do.

Don’t forget to pop over and visit Real Poets Daily. They’re a wealth of inspiring poetry!

Adventia, day 3

Yesterday was a busier day than I’d expected. I missed my daily Advent Poetry posting. Today brings this gem from Rowan Williams. Tomorrow, we’ll skip day 4 and post two for day 5. You’re welcome!

Adventia – day 2

In my first post in this series, I explained the origins of my strange, made up word. Adventia, as I see it, is our foray into the headwaters of Advent – waiting, hoping, and preparing, together with Fragmentia, those literary illuminations of God’s in-breaking into our world to which we may unite the former.

For most of these we’re taking our cue from a favourite Instagram site of mine – #realpoetsdaily Today, we’re blessed by this gem by T. S. Eliot, from “East Coker.”

"But the faith and the love and the hope are all in the waiting..." T.S. Eliot

Adventia – Day 1

No, the above is not meant as some cheap attempt at a New Joizy accent with the word adventure. I see it more as the amalgamation of Advent and Fragmentia: a place where the illumination of God’s in-breaking into our world found in the Advent narratives unites with the fragments of literature and faith and life seeking to bring us to deeper understanding of it all.

Advent is upon us once more. With it comes a barrage of books and practices all aimed at helping us get the most from the experience. My choice this year is to ride someone else’s coattails. Am I just too lazy to think of anything original? Maybe. To be honest, I just like the approach taken by someone I follow on Instagram – #realpoetsdaily 

So then, that is what I am doing for Advent…what they’re doing. I’ll post here but redirect you always back to their site. I give you, Advent, day 1.

“It’s the first Sunday in Advent, and like last year I plan on posting a poem for every day of Advent, and then for ever day of Christmas. Here is “First Sunday” by Sally Thomas (@sallytnnc).

Enneagram 4 – Perfecting Ennui

E4s: undisputed masters of stormy mystique (photo credit: Илья Пахомов)

Enneagram 4s.

The world is too beautiful.

The world is too ugly and needs the beauty we bring.

We are the world’s mystics, the existentialists. Poets, philosophers, artists, dreaming wayfarers, ever searching for some far and distant land that lies just beyond our grasp. And, if it’s beyond our grasp, it won’t even be on your radar, I promise.

Our worlds are those most real as ones which dwell in our overwrought imaginations; Paradise projected, longed-for, through-a-glass-darkly. These realms are as equally insistent as they are evasive. They foist themselves upon us when we’re not looking, and hide themselves when we are. They promise an almost constant angst-ridden ennui, what the ancients called “acedia.” We’re the noonday demons of the emotional world; skulking about in the shadows lest we burn out our retinas in a direct gaze upon that which only avails itself as peripheral.

That is why we’re always a little sad, distracted, disabused of whatever is directly in front of us. Obvious is so gauche. When bliss is just beyond the scope of our sensory perception, in shadows of liminality, why waste our precious energy on the muted confines of what everyone else merely sees, hears, feels, touches, smells?

It means that those of us living in this cosmic Purgatory are expert romantics, idealists, mystics, contemplatives, tortured artists; a slow, gothic parade of the perpetually misunderstood and underappreciated. We dish up depths of feeling, life, and experience in our spare time, that which is well beyond the quaintly over-considered crumbs the rest of the world ogles over. That world, chest puffed out in pride, gives us Beyoncé. “Top that, we dare you,” it taunts.

“Ah, how sweet,” we respond, and give them Hildegard von Bingen.

The world hacks up a Danielle Steele or a Nicholas Sparks, confident in their ability to impress with such stellar heavyweights.

We merely yawn and hand them our copies of Tolkien, Thomas Merton, and Flannery O’Connor.

There is rarely much overt satisfaction for the Enneagram 4 whose psycho-social psyches emit requirements which far outstrip the window-steam generally on offer, quickly faded and lost. After all, when one feeds upon manna served up on plates of raw energy, listening to the winds of heaven, carrying celestial songs of joy, through our golden, cherubic locks amid the host of heaven, everything else is just raw sewage by comparison.

4s – the hippy star-children of the Enneagram (photo credit: Anna Shvets)

We are monastics forced to abide a NASCAR life. We must forever shuffle about in a fog of self-satisfied smug. Our long noses are ski-jumps down which we gaze in thinly veiled cynicism and self-righteousness. We’re perfectionists swimming in a fetid stew of cosmic mediocrity. Everything we do is quite simply, better. We shouldn’t have to tell you this.

But, we will. Oh, we will. Often, and in as many ways as it takes you to finally understand our obvious supremacy. You may think you’ve finished with us and have moved on to some other shimmering bouncy bauble thingy which occupies your days.

Alas, no. Nobody says when they’re finished. That gift has been given by the gods to us. Us alone. We, in well-practiced passive-aggression, will give our royal nod when it is appropriate, and safe, for your dismissal. Then, and only then, may you slink away to your My Little Pony world.

As for me, you shall find me when I’m ready (and longing) to be found. Then, as I ugly-cry my way back into your good grace, you can hold me close, assuring me that we can start all over again tomorrow. Thanks for listening (yeah, like I care).

Wait, please don’t go…!

Pursuing beauty, ever-elusive, always-reflected (photo credit: Anna Rye)

Adding Sails

It could be said that

our journeys

are nothing less than

the accumulation

of barnacled hulls and salted prows,

of decks swabbed, well-waxed.

Our crew, composed of those

most impressive, help our slow, steady progress

on the coursing waves of coarser seas.

They sing the old songs.

It could be said that

our wayfaring breezes,

blushed in day-fat skies,

signal us to find their end,

pathways noble, chosen, fearless.

Our guide-stars, poised in Spring-fair heavens,

simplify our white-ribbon’d way

through cushioning waves.

It could be said that

this blue-borne sprawl before us

like weedless gardens,

paths without walls,

is a wordless song of melodies, uninterrupted

and well-key’d, meant for voices

of children and saints.

It could be said that

whatever shanties once joined

throats in the shared songs of adventure

were nothing more than the nursery

rhymes of spoil’d children,

sung by swaying lunar choirs

of the misshapen but hopeful.

Of all the things that could be said,

I will say but one:

of this or any journey,

in the outward way before us –

we are not the Captain of our ships,

we are only

adding sails.

Eden’s eastern hand

Photo by John Kerl, Bellingham, Washington, October 2021

Light Bringers

I suppose these words are as necessary now as ever.

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Light-Mining.jpg

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Building Our Poem

Posted this recently to my Innerwoven blog. But, it’s just as timely and appropriate here. I hope you enjoy. Peace, friends…

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“…in thy voice I catch

The language of my former heart…”*

“The Bud,” 1987

I love poetry. I love its exactitude, its wide-eyed innocence wed to unflinching honesty. The unforced rhythms of perfection, like Grandma’s gaze over well-worn glasses. It is the art of lovers, the science of thinkers, the wisdom of doers.

Poetry gives up her secrets cautiously, altruistically, slowly. Every word, like every note of a great symphony, is fully intended, placed unequivocally in its place with an eye, and ear, to building something remarkable out of simple things, something well beyond the sum of its parts.

In a thousand ways, we are the amalgam of our carefully written words; each one added to the emerging poem of our lives. In this process, there are no real mistakes. There is only the discernment asked of us in the changing turn of phrase that will ultimately become…

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