Dismissals – on considering responses to things

That same girl passes him in the hallway, more aloof than ever;

like the neighborhood cat that pisses on my door.

There is no response to the constant

calling of her name. Just an unambitious purr,

the casual dismissal of a creature to

unreasonable expectations.

_

I passed him on the street yesterday,

that guy I met at the poetry reading.

It was hard keeping his eyes long enough

to finish a sentence, let alone fragments

of a conversation fraught with the dismissal of a

 “yes, it’s really me here” mystique.

_

She stood with a cardboard sign that read

hungry and unemployed with kids pls help god bless

I could see her through the Starbucks window

where my second Americano was already cold.

That second guy wasn’t as good as the first.

He never leaves me room for cream.

Is that too much to ask?

_

She wasn’t typically a make-up gal

preferring the girl next door simplicity

of less-is -more. But tonight

she dressed up, even eyeliner and dark,

red lipstick and skin-tight black dress.

He glanced at her twice at dinner

through the glare of his cell phone screen,

 that never dimmed.

_

I sometimes shudder to think what remains

in the shadows of what’s left after encounters

dense with the unwieldy results of non-praise,

of missing the open doors, sips not taken from

frosty mugs of welcome, the sleepy

dismissals of what’s right now,

hesitant on the stoop of another’s hopes.

What can they expect from me?

Gratitude? Platitudes? Assuredness? Distraction?

A snotty hanky full of rare humility, raw and pink?

_

The game starts in half an hour.

nothing is bigger than something

a momentary pause where

the light

 

can squeeze like lemons

under pressure

 

all speech and candor

unaware

 

that someone is listening 

towards something

 

which of us could boast 

such power?

Of changing seasons and the heart of man

The weight, the stink of summer sweat

erased, now late, the greening days.

Pursued no more by Spring’s regret,

once come the crisping Autumn ways.

* * * * *

Delivered, fresh, with fondness, fields

that love no more the drawling heat.

Welcome, Autumn’s respite, real,

her daunting face of beauty, sweet.

* * * * *

To smell the winds and wayward sky

is once again one’s place to know.

A speck, a grain, a hollow sigh-

to plant, to seal, to die, to grow.

* * * * *

And underneath her drying skin

are gifts of death, of seedling hope;

entombed, encoffin’d earth, within

the ground, while truth, with life, elope.

* * * * *

And you, O Man, so faint and dull,

where fate and folly freely meet,

your seasons, many, twist and pull-

your grasping, brash; God’s touch, discreet.

* * * * *

Return and taste the Summer gifts

the iridescent, squeamish Fall;

the Winter’s breathless cold uplifts

till Christ, like Spring, will death annul.

nighttime songs our fears erase

a story lived, now story told

we, early young, now later, old

see stranger things than daytime held

but not without our sorrows quelled

____________________________________

we fluff and tuck and yawn and brush

pray God remove all sinning blush

the air now cool in silver glow

what dreams may come we do not know

_____________________________________

divested now of time and chance

we bid adieu and leave the dance

till thricely woven round with grace

the nighttime songs our fears erase

Intimations of the new

Raising of Lazarus-Van Gogh

Given the raw materials from which come my best advances

into grace-filled days and hope-tinted nights,

there remain the questions – the queries in restless sleep,

the mystifications of workday afternoons when

sorting through memories is more haunting than charming.

Exchanging token cautions smeared with crooked remembrances

that laugh their way to a poorer destiny,

the torn and sad reaches for glad that tips a hat to

the best of what’s behind but incomplete.

Shards of broken passage return their wounds,

still ripe and weeping, for any chance at a future,

not sequined, brash or over-confident but light, fresh and pale

with songs not new but revitalized, like Lazarus,

his face paler still but beautiful, because all that was barren or ugly

is forgotten in the grave.

In the right hands, days in a dank cell of nothing turn even the

deepest pain into something beautiful.

 

Painting: “The Raising of Lazarus” by Vincent Van Gogh

Examen on an autumn Friday evening

The light was thinner today, unplagued by summer arrogance.

The aging, iron-grey sky cooperates fully with the falling day,

pouring out one particle at a time onto the browning green.

I watched it pool in elegance, gathering

in the playful dance of moths and paupers.

Lower down, close to the roots of things,

my feet can touch the back of this place, falling simply

as eyes preparing for a blanched horizon are caressed

by the autumnal bounty of God’s spare time.

 

The politics of light

There was a light that burned,

a shifting, settled light – the kind

that changes the room from one

kind of good to a better one.

The moths played in the shade

like winged marionettes parading

their playful dance never far

from the light but choosing

to stay stuck where it only shines

to amuse and titillate, not

where it shines to tease out

shadows and contours of faces.

Above, on a hungry ceiling dwell

other specters, images drowning

in the goodness of this moment.

Seated apart but facing each other

are the comrades of long-lived kindness

still working through the politics of light.

 

Away

I looked from the chair beside the window

where the night sky can taste the late hour.

Here the tally of joys and intentions

weigh themselves against the whimpering

sighs of another. Another whose chair

beside another window in another place

sees a night sky pillowed and smooth

and takes what few, rumpled clouds remain,

hiding from the dark, ready for the day.

And, in an eye-twinkle of quickening whimsy –

simply walks away.

Learning his name

The ending to all beginnings

 

 

 

 

 

 

When the reprisals of our souls,

too young to love, too small for pain,

repeat their mistaken ventures into

the uncolored light of mistaken journeys,

then it is that the walls whisper

their ghostlike songs of ever after –

sighs of the imperfect.

* * *

Here there are no endings,

only endings of old beginnings

that transform by a refusal

to submit to the indentured servitude

of the hollow and broken,

preferring instead the ancient newness

of Cistine handshakes.

* * *

In the cowls of earth, her ears of stone,

hear fathomless time, tonsured and teased

from her birthplace deep in

embowelled truth whose Name Is.

Encompass within yourself this

faceless sojourner only now

learning his name.

Photo courtesy of my friends and fellow monastic-creatives at Abbey of the Arts. Thanks Christine Valters-Paintner.

Surrender – a prayer

Here, in this place awash in daylight grace,

I live my entire life on the head of a pin

on which is inscribed a single word:

surrender.

When todays are saturated in

a low, crawling, redeeming sadness:

surrender.

When the all-pervasive pall of a greening grey

removes dead soul-skin and tastes

like eating raw sewage:

surrender.

When the bitter pill of leafless desire

gets stuck in my throat and

stops up anything nutritional:

surrender.

When the wafer thin moments

of happy times bought at another’s expense

rob me of me:

surrender.

When my lover who shares

my bed, my skin, my guts, my hopes,

becomes nothing more than a side dish:

surrender.

When, in convenience, I sidestep

responsibility to another

and choose the busy road of non-involvement:

surrender.

When I’ve surrendered all I am and have,

all I’ve been and will become,

all that was, all that is and all that is not:

surrender.

When I’ve surrendered all,

I gain the one thing,

the Pearl of Great Price,

the Lily of the Valley,

the One who is in all,

who is all

and who needs no introduction because…

my soul knows him.