What happens after,

What happens after,

There is a laziness in the light

while evening shadows crouch in fear

behind too much sun, still breathing heavily,

pushing their way, like pain.

________

Windows marble and cut the

dusk, more raw for her energy.

She pants, lurching over a tired prow,

pinching the hours before a Marco Polo

entrance. An ache of greying green sprawls

out on the dirty floor, like boredom.

________

What dalliances lay their grievous joie de misère

under tables of discontent? What mis-

matched lyrics to over-sung songs

ever find their way back to tired voices?

They strain through candied throats the coughed up

suggestions of music more real for its yearning, like lust.

________

Perhaps if Hemingway’s whiskey’d voice, husky

in remonstrance, bellowed his last lines

first of the last first tale?

Told last, would it matter less?

Through Tequilla’d sight, he climbed to heights sufficient to

claim a boastful repast and only good came.

Let’s invoke a simpler meaning to all that hides. Conveying

messages in the unbidden shivers of quilted days, like drunk.

________

“Steady on,” the curtains answer, chilled in

the gossip of an impatient midnight. “Nothing is

yet. Just memorize what couldn’t be found

among the bones.” There will be

another branch to add to another tree,

that only cares to know

what happens afterward, like now.

________

Picture found here

 

 

 

 

Loving Judas

Kiss-of-Judas-Caravaggio-1602

 

Legs dangle, arms crossed, nestled in the humming lilacs,

oblivious to all but the playful patter of unicorn hooves –

a wax doll flays a panda and steals a school bus

like the lips of Judas kissing his friend.

 

There is a flower, stamen intact, but anemic to incursion of lesser bees,

boasting contempt for unadorned suitors, never met.

Sweetest honey, end game of lovers and shared hives,

cannot match the preferred taste of a bloodless friend.

 

Pen at the ready, the steady scratch of solitary ink,

the price of life pretended, unlived living gets written instead.

Freedom, pillaged by cool tranquility, sits aloof on a park bench,

munching contentedly the bones of a dead friend.

 

Drifting, like the Lady of the Lake on a

fairy tale palm frond, someone catches a reflection –

a presence, vaguely recognizable, still unflinching,

puckers again the brutal kiss, in full view of no one.

 

Yet even Judas was brother to some, friend of one.

A silver mouth overlaid with the tarnish of deceived deceit

was still not enough to steal compassion’s face,

bearing down on the grain of a lost friend.

 

Image: “The Kiss of Judas” by Caravaggio

Accessorizing

people-crowd-15602579

Accessorizing a borrowed life with faces –

no names – they’re unnecessary.

Don’t complicate the process by streamlining

a story made prettier by scar tissue, scabbing.

 

A fault line runs through the doubting  

air, fat on it’s own labor, like lighting

cigarettes on sunburnt backs. The first one always

clouds the breathing space

 

like too many clouds in too little sky.

A single teabag in the bathtub where

life gets stored, wrinkled-skin shining

toward a sleeker consumption. Borderlands fold inside out.

 

Don’t look anything in the eye. There’s a smoke

storm coming. A cigarette exhaled in someone

else’s kitchen. Riddle-red cheeks fade back into

other-storied guests.

 

We’ve been here the whole time.

________________________

Image found here

At least they choir

Fickle, flaky, Freudian in

the way of a nasal winter –

 

hiding on a park-bench

pidgeon’d hole o’ Gram

 

pa’s forgotten stash.

Dive, dive, dive, oh wing-ed

 

wonder, wallowing on the shell-

crusted beach, almost in

 

noon-sleep, snoring through

whiskers thick with doubt.

 

One can only shiver

against gulls, gobbling

 

a breakfast, marooned and

still. Shout at their noisy

 

music, with sea-shanty poker-

faces. They may be raucous,

 

but at least they choir.

Inhale

Morning bones, cracked at the seams,

splice themselves into subway-tag poetry.

Ignore the crowd, they’ll trace

their own lines

back to when the post-

man knew where to go.

 

Still damp letters in stilettos

march and fall through city

grates that can smell soar feet.

But these feet write semaphore

that only sing

when you read backwards on

pages wind-blown forward,

east of the garden.

 

Words, stolen

from other people’s lives, hearth tales, fireside

songs, thirteen-year old misfit

adventures crouch and whisper their

secrets

out from

the corners, feed

a hungry pen, growling

for colors on gray paper.

 

Once you can no longer smell the parchment,

eyes adjust,

and life begins.

The ghosts are hungry

ghosts

 

The ghosts are hungry for more.

But chiming bells overflow the glass

and teeth chatter in the gray sun.

There is music in the gravel tide,

washing up like red medicine –

bloodied capsules of cotton-talk,

gauze-word, suture-see. It only

gags the throat of a traffic laden wood.

Clouds crippled by the old songs, are still

just clouds.

 

Can you taste the buds of blue, jagged

sweat germinating tomorrow’s winter

garden, stuffed in a teapot on top of your lone

May Pole? Maybe the French kiss

nightmare taught a thing or two about that

unnamed wishing well world?

 

With hunched-back scar-tissue tongue

you lasso the last, unlucky

stragglers from the playground of ordinary

sights, you suck the juice out of the sunlight.

No more wrought-iron tail feathers for

this sidewinder peasant.

 

Suckling the teat of frozen landscapes, you

always forgot what nourished most

until they circle back round and

stump you from behind –

where all the best tales are.

 

Image found here

Try not to think of it

Circe1

Bent shoulders squeeze tight against the

seven-layer’d Sheol, curtained against

a world, upturned, and studiously

oblivious to a two-breasted sparrow,

with shark-teeth and winter’d schemes.

 

Words, like rainless clouds hopscotch over

solemnities, trinkets, experiments, names.

They jostle for supremacy with other shelved

things, like those good ideas, old friendships,

and Dad’s breakfast table dreams – the talk

of little boys of unwhisker’d pedigree.

 

Watch a man’s skin curl under

flame while doing your nails, and then shrug

away the smell before answering

your phone. It could mean playground

talk, pajama time, and networking to

stop the voices.

 

Still, hiding there under the clock,

breathless and stoic, that pushes only red and

black and the carbon of sweaty

palms, are the patient lines on an ambivalent

face. Come the creaks and queries and

counting petals on the tired

sidewalk. But garden variety promises, wrapped

in gum wrappers are stuck in pigeon shit, refusing

release into the Cadillac morning on a

farm truck day. So, flow down trucker

tears, leathered and unbidden,

like remembrances of the somnolent road.

Those kind of tears.

 

Image: Circe by Wright Baker

There is a place

There is a place,

under the porch where the rattlesnakes are snoring

with one eye open, the other one hungry.

  There is a time,

when the lush day-damp dissipates into a certain thinness

of corduroy dreams pushed up against unpainted walls.

  There is a place,

where the shadows have darker shadows

and light is the unwelcome uncle, drunk before drinks.

  There is a time,

after 1963, when the streetlamps meant something

more than the start of a restless evening.

  There is a place,

where rye ‘n water and pickled herring and asparagus spears

shared secrets to little boys of parent parties.

  There is a time,

sandwiched somewhere between lunch money and

shit wine in a coffee cup when dime-store dreams were enough.

  There is a place,

of a certain ripe solitude, a kind of naked jamboree

when conversation stalls but silence takes over.

There is a place. It was not then.

There is a time. It was here.

Finding a voice without one

Armitage_Siren_zpse1a145fa

He ran out of words right about the time

his hope hit a wall like winter in June.

Lucidity escaped through loss, and

a life runs its twisting course

beside another’s parallel stream, just out of view.

 

Where to the waning West became of

words that once transfixed golden-souled,

silver-penned pirates of the journey?

They scaled the hull of pitch and yaw ships

laden with gifts from the sand of distant shores.

 

There it is again, once song of the Muse,

now the Siren’s cry like a whip of lustrous thought,

piercing ears, thirsty for the music of sojourn.

“Listen, listen,” she sings and, by singing, hopes

to be free from something that never bound her.

 

He would answer but his voice is drowned

in the shriller insistence of a mermaid’s lonely tale.

A single wave-tossed rock provides her stage.

But loudly though she sings, louder still the waves

that divide. All others are silenced against her solemn tones.

 

Laboring under misapprehension of invisible dangers,

she notices not that all ships have left. The song she

knows well has merely chased all hope of rescue.

Soon, her shrinking solo speaks no longer to gods nor men,

for without a voice, there are no more voices.

 

Picture found here

A wet morning in Oregon

Silence, except for the insistence of ocean.

Backdrop for seabirds, arguing in a grumpy rain.

I let contemplation keep company with

a stubborn fire warming wet wood,

hungry for more than it is willing to give.

Morning.

 

These mangy hills, full-cliffed, sprung from

the deep places of the earth,

thrust their faces out to greet

a colorless sky, too dark to laugh,

too green to die, but not too proud to cry.

Spring.

 

There is a stooped and bent feeling,

cast abroad in the air, breathing heavily.

A tangled scene, untimely brought,

coils itself, unprotected against the beauty of

a moist, unsatisfied wind.

Oregon.

Cascade Head, Oregon @ sunset
Cascade Head, Oregon @ sunset