Un-memoried

And so there comes

a certain showering of

sparks flaring upward

like flakes of white hot snow.

The stars in rows

gather as unbidden memories

to cast their ghoulish glow

on the back, black walls –

hidden from view,

or at least cowering

among the older stars,

clumped and unbillowing. They do not

breathe anymore, but

still cast their

meddling shadows.

Their pathetic streams of

yellow light offer

neither warmth nor sight –

just scratching on

a chalkboard of a new

night, too full to care.

My pen bleeds

My pen bleeds it’s sickly sweet dewfall drawl.

Nothing inhabits this canister but dried up vowels

fit for lying salesmen and puffed up politicians.

 

The birds have picked clean the grain,

and the road is left clean enough

to walk on without sound.

 

The deer have stopped coming to taste

the salt lick that once bore the strident residue

of something that helped hold their water.

 

I’m feeding the fish with sawdust

one pinch at a time. They’re only fat

because they’ve had to eat each other.

 

Unbanish the bright and flowing nerves of pulsating ink.

Let breathe again the salacious, the rambunctious,

the florid and foul, the simple and bombastic,

that tickle, cajole, prance and pet

and set free the smallest fires.

Semi-colon

life is not finished yet

this time between the times

the bones between the flesh

mute or stinking

 

another thought has come

crumpled but poised

crouching between the eyebrows

of have and had

 

slick and unyielding this

tricky business of friendship

of unposted letter-lives

hiding in lairs of uncertainty

 

where the dark and damp

find the warm and humble

sucking from the teet

of forgiveness breathing

 

toward a resolution

a day-night hour

pretends to see the unseen

tucked under a quivering branch

 

and just when the first bird

alights with song at the ready

the branch gives in and

dancing leaves meet waiting ground

 

 

The non-rhymes of indentured servitude

There are the non-rhymes of indentured servitude,

like our darker shadows served up as a litany of disgrace.

The dog keeps eating his shit and it reminds me that

sometimes what we think is tried and true is merely

dying to escape and find its way back, unseen, to soil.

We cramp up, our innards telling us a hard truth:

lap up this fish water and eat the stale tree bark much longer

and the ground won’t know the difference between you and your vomit.

Bitter weeds entwine roots with the vegetables, rape them for nutrients

and laugh all the way to the bowl where even the Ranch Dressing

can’t cancel the happy devils’ rotten trick.

So, I guess we either get used to the taste of bitter herbs in the salad,

the indiscriminate odor of our own feces among the riches of earth,

or we remain satisfied to let it all grow up together.

Maybe there’s an accidental rhyme of dirt and sky, earth and heaven?

Maybe rhyme isn’t the point?

She ate the fires

For my mother, Doris. You will always know where I live… 

She ate the fires that burned our feet,

but kept us dancing still.

An outsider to her own life,

she dwelt in the shadows with others,

unadorned, weary and unnoticed by

those who mattered most.

She was a woman of family loyalties

seen through the well-pictured mantle;

of a burdened sensitivity filtered through an indomitable strength;

of shrewd candor minted in the currency of honesty.

* * *

His love was real enough but

tentative, unsure, safe – he saw her

as through a glass, dimly; sideways, peripherally.

Though his arms were strong,

they were no match for her constitution,

mammoth by comparison; a roundness

of stalwart purpose swimming in a barrel of uncertainty.

* * *

Though his word was law, hers was heard,

and heeded in the hours, in the minutes,

in the places where we actually lived.

Wrestling one child with words, another with shrewdness,

still another with a ping-pong paddle

on which was written “for a better future,”

she forged us in fires not of our desire but her design –

on the requirements of character and truth.

* * *

Mirrors told her what they saw

not what she hoped for and always, just behind her,

skulked the injustice of vengeful time.

All the words nearly rhymed to songs sung

just a little out of tune; pleasant enough at a piano with a broken back.

Despite her stature, there was never any doubt

who stood tallest, whose shoulders were broadest,

whose voice spoke loudest, and whose purpose was sunk deepest.

No scars ran deep enough, no bruises blue enough

to raze this spirit from the earth’s deep places.

* * *

She ate the fires that couldn’t devour her…

Life in post-it notes

You live your life in post-it notes

pinned to the outside of balloons,

shaved, polished and properly named

for your amusement.

 

Skipping through fallen leaves, all with names

of used to be friends, now just concerns,

you pepper your imagination with pretty bird calls

and nice stories with happy endings.

 

The bad people, the ones unlucky enough

to fuck up somehow are safely tucked away

in the soles of your shoes, right next

to the dried dog shit you leave for posterity.

 

“Come, love me,” you say.

“Come, watch me live,” you say.

“Why are you here?” you say.

So, I came and loved and watched.

 

Now you say nothing. Why would you

when life is a singular word with only two letters:

m, e?

Stop shouting

Warning: not for kids! Oftentimes, the most inhumane violence done to others is that which we inflict through our passive-aggressive silences. Sometimes a punch to the face is easier than seeing the back of someone else’s apathetically silent head. I explore that a bit in this rather visceral piece.

My ears are ringing, ringing,

ringing from the deafening roar of stony silence.

Someone has been shouting at me for so long

without stopping,

never stopping,

ever.

The lids of my ears are pinned back

as scenes of your violent ennui pelt my psyche.

Ghoulish shrieks of the banshee gash holes in my bowels

and any remains of touch and sound lay shredded and splayed

on the table, once of communion, now of refuse.

Quickly, cut open my gut with a heated knife of angry words.

Split my head with the axe of honest, unimplied hatred.

It is more compassionate to watch another bleed,

their blood still wet on the tip of your axe than it is

to watch through a mirror as another

squirms and writhes under the torturers knife

of guesses, unanswered questions, pale assumptions, made up half-truths.

Like the wanderer, banished and scapegoated,

the unforgiven walk in barren, featureless landscapes

peppered with the memories of better days.

The shrieks of silence are so much louder

than the shouting of angry, cutting…but honest, words.

Wordless words spill out into the aether

through sealed lips, drowning in their own denial

of non-communication. Oh, I hear. I hear. I hear,

SO STOP YOUR FUCKING SHOUTING.

Your victims are only fed enough sanctimony to forbid reality,

deny context, withhold boundaries for the untold story.

The din of merciless words is quicker,

the pain, short; the gouching, swift.

Silent pain is relentless, without pity,

casting scorn through indifference,

hatred through unspoken speech,

unforgiveness through apathy,

vengeance through willing ignorance.

_

In seeking truth, you’ve become the biggest lie.

scattered in ashes of light

Moonlight in Vermont

 

 

 

 

 

there you were scattered in ashes of light

outside of time’s ballooning source

the triadic perfection of unanimous singular gaze

eloping with butterflies light on the sill

and I am loving your loving our loving

there are no more songs fit to sing

where you lay dreaming your hair unyielding

to the moon held at bay too dim for your eyes

a cool and stut stuttering night bares her dark breasts

and draws herself up to tuck in the spindly stars

who point their bony fingers toward my love 

still scattered in ashes of light

 

Picture this

I-You-Holy Ground

I am the dusty ground, low and dry

thirsty for the imprint of holy feet.

Despoil with radiant prints, this virgin ground.

___

You are the rain, falling deftly

upon my brown soil. Now is left

your footprint on this ground.

___

I am the ashen leaves, curling and broken

awaiting but a whisper. For only then

can I fall on solid ground.

___

You are the soundless wind, howling, still.

You creep up behind me and

exhale me to the ground.

___

I am the snow, disembodied worlds of cold

and chance encounters with hand, or tongue,

eye-lash or palm needing ground.

___

You are the frozen air in which I am held

aloft, drawn slowly down

to meet with others on the frozen ground.

___

I am the waning autumn death

soon to give way to the long silence-when one Voice

becomes the loudest ground.

___

You are the Voice that speaks

heard best in dying, power given for

rising from this shivering ground.

___

I am the distant hours, the midnight passing-

the refusing minutes, trapped in hours,

running from the years of ancient ground.

___

You are the many, and the one, and all time

and nothing and everything from nothing

where time has no ground.

___

I am the weeping, the squalid groaning,

the unrequited miseries of misery’s company

laying crippled and diffused in the ground.

___

You are the end of tears and years, the question

and the answer, the sutured nerve of joy, not suggested

but present, here, on this Holy Ground.

Poetry: rebuilding the world through the un-wasted beauty of redemptive syntax, cont.

When, as a boy, I was expected to be cleaning my room, doing homework, weeding the garden or any of a host of other chores, I would more often than not be listening to music in my room. Or, perhaps I’d be teaching myself to sing like Robert Plant or Burton Cummings or Dan Fogelberg. I might have been writing music once I got to Junior High School or touring as a musician by the time I was a senior in High School. Suffice it to say, art, music, poetry – literature in general has shaped my life and provided many hours of delight and avoidance. It’s the mirror into which I’ve learned to see my own face. It’s also the looking glass through which I’ve learned to see others.

Music and poetry can become for all of us an answer to our disheveled hatreds, our worn out prejudices, our tired judgements and our need for a language with which to say, I see you.

Traveling light in serpentine winds

Traveling light in serpentine winds

this haughty craft, held aloft, sequestered

inside hints of journey’s end.

 ***

Earth’s edges, blunter now but rippled and dented,

provide the places safe to sing

the bawdy songs of youth, sung too soon, before

the second hand is wasted on the whirling clock.

 ****

Were it anything more than salvageable

solitudes, trapped in their dusty orbs,

such voices might bloat to consume me,

dine on my liver with older words,

rich but thick and unchartered.

 *****

So then, forage I shall for colors unmuted,

songs yet without voice, paths full-trod, seen with

eyes withholding nothing but a flute and a scalpel.

One to begin, the other to end

the sharper edges of this catastrophic

beauty – this undulating goodness.

 ******

I think I’ll take a walk.